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LEE CAMPBELL PERFORMANCE POETRY SELF-TAPE 2021

These performances were performed live via Zoom. The imagery that you can see is from my personal archive of artworks from the last twenty five years. A montage of young queer experience. Contact lee.campbell@arts.ac.uk for booking etc.

  • Lee Campbell
    Director
  • Project Type:
    Experimental
  • Completion Date:
    May 15, 2021
  • Country of Origin:
    United Kingdom
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
Director Biography - Lee Campbell

Dr Lee Campbell trained in Fine Art at the Slade School of Fine Art, University College London in 2005 and received his doctorate in 2016. His recent experimental performance poetry films have been selected for many international queer film festivals including Queerbee LGBT Film Festival, The Gilbert Baker Film Festival, Kansas 2020, HOMOGRAPHY, Brussels and STATES OF DESIRE: Tom of Finland in the Queer Imagination, Casa de Duende, Philadelphia, USA, WICKED QUEER 202,Boston, USA, 2021 Film Vault Presents, Manchester, UK, 2021 FilmPride Brighton & Hove Pride's official LGBTQ+ film festival, Brighton, UK,Splice Film Festival 2021, Brooklyn, USA Festival ECRÃ Edition 5, Rio de Janeiro, Brazil, SPHERE Festival, and Queer Life, EdgeZones, Miami, USA 2021.
He has a solo exhibition of his film work at The Sidewalk Video Gallery, Fountain Street, Boston USA in late 2021. His films have been selected for prestigious awards/nominations including:

2021 Nominee for Best Original Concept and Best Atmosphere Independent Horror Movie Awards
2021 Honorable Mention Award for 'See Me' (2020), Screener Short Films
2021 Best Kent Film nominee for ‘Peer’ (2020), Margate Bookie Film Festival
2021 Honorable Special Mention Award, Athens International Monthly Art Film Festival
2020 Semi-Finalist (3rd place winner), Splice Film Festival, New York
2019 Special Mention Award, London-Worldwide Comedy Short Film Festival

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Director Statement

Dr Lee Campbell describes himself as 'a Londoner who makes experimental films and performance poetry about being gay and working class using barbaric wit and humour’. He uses poetry and experimental film as a form of autoethnographic storytelling/sharing of personal narratives often raw, often painful but always generous and authentic.