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Kuma Brings the Pearls, A Love Story on Three Lakes

In this serene, dream like art film, shot on frozen Hudson Valley Lakes, a Jamaican enlists the help of Kuma the dog to win over the Skater.

  • David Brown
    Director
  • Beth Woronoff
    Director
  • David Brown
    Producer
  • Beth Woronoff
    Producer
  • Kuma
    Key Cast
    "Dog"
  • Beth Woronoff
    Key Cast
    "Skater"
  • David Brown
    Key Cast
    "Jamaican"
  • Beth Woronoff
    Writer
  • David Brown
    Writer
  • Project Type:
    Experimental, Short
  • Genres:
    Dance, iceskating, icedancing, frozenlake, hardwater, icedance, contemporarydance
  • Runtime:
    29 minutes 42 seconds
  • Completion Date:
    June 19, 2019
  • Production Budget:
    7,500 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Language:
    English
  • Shooting Format:
    Mp4
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    No
Director Biography - David Brown, Beth Woronoff

DAVID BROWN and BETH WORONOFF are first time film makers. Together they directed, acted, edited and produced this film. In 2018 they created Calle Ouvert, explorations in movement on frozen water and are planning live performances and a second film.
BETH WORONOFF was the 2018 Fancy Silver medalist and has a World ranking at the World Figure and Fancy Skating Competition, an organization dedicated to preserving the knowledge of figures - drawing designs on the ice like the Maltese cross and the Swiss S. She was the Co-founder of Frozen Feet Theater, a company that combines ice skating with giant puppets and narrative storytelling, she co-created "Viva La Vida", the Life of Frida Kalho, Persephone and the Birth of Winter and Fire and Ice The Rise and Fall of the Norse Gods. Beth was a soloist and choreographer with the Ice Theater of New York. She skated the works of Laura Dean, Anne Carlson, Lar Lubowitch and David Dorfman and Donlin Foreman. She studied dance at the Martha Graham School and developed Boundless Edge, a curriculum for ice skaters that uses a performing arts approach to skating.
DAVID BROWN, has explored movement with Dancers from many countries and choreographed for and mounted pieces on: Dallas Black, Alvin Ailey, Jamaica National company, Boston Ballet, Philadanco among others. He created Bodyrecode.com a way of thinking, living in and healing our bodies that focuses on the myth of aging and neurological disorders. He is interested in nonverbal movement, an open narrative formation of visceral, singular expression in the gravitational field which we all resonate/inhabit. David spent several months living and working in a Balinese hill dance community where he co created a piece called “Bersilla” or crossed legs, East meets west. He was a Principle with the Martha Graham Company and toured around the world for 20 years with his own company.

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Director Statement

Our 20 year relationship, our memories and shared experiences. Formed the concept for Kuma Brings the Pearls; skating on a lake, bringing our dog and filming our experiments. The three actors in the film are the Skater, the Dog and the Jamaican. Though we routinely video our rehearsals this is the first time we have used film as the finished product. The movement is improvised with the David prompting the Beth either through words or through his own movements and the Beth's own inspiration taken from exploration of the lake and emotions relating to the love story. Before starting each session we decided upon a few scenes we'd like to capture like the Skater finding Kuma wearing the pearls, then taking them off the dog and wearing them. Before heading out to the lake we decided on a few props to bring, the bench, a straw bag, practical things that someone skating on a lake might use. As the story took on life, we discussed adding, a white dress on a hangar which Kuma could lead the woman to, similar to Kuma bringing the pearls, again, the viewer can wonder where the dress came from and who put it there. Each object we choose had personal meaning for us. The story line is an armature for the movement and the camera work which brings texture and tone to the piece. The camera is very mobile following the action and making choices of what the viewer sees and hears. The camera pans the ice showing the markings left by the blade, the camera looks out from behind fur leaves and branches in the woods. The soundtrack includes squeaky boots on the ice, snow crunching underfoot and blades on a tight curve. In one instance, the Man reaches into the frame to help the Woman up after she has fallen. We made decisions about when to keep the camera person invisible and when to allow them to be seen as actors in the film.