Knit One, Stab Two
This essay film examines the representation of knitters and knitting, in over sixty horror films made by women, from the 1920s - 2020s.
**please note - the Spanish subtitle .SRT file will be uploaded on this project page at the beginning of June 2023**
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Alison PeirseDirectorWriter-Director, Three Ways to Dine Well (2020)
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Project Type:Documentary, Short
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Runtime:9 minutes 52 seconds
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Completion Date:November 16, 2022
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Country of Origin:United Kingdom
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Language:English
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Shooting Format:Digital
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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El Festival Internacional de Cine Terror de Valparaíso
Chile
December 18, 2022
World Premiere
Official Selection -
Final Girls Berlin Film FestivalBerlin
Germany
February 2, 2023
European Premiere
Official Selection -
Kill Valentine Film FestivalParis
France
February 12, 2023
Official Selection -
Renegade Film FestivalMarietta, Georgia
United States
March 5, 2023
North American Premiere
Nominated, Best Writing; Nominated We are the Weirdoes, Mister; Official Selection -
Wench Film FestivalMumbai
India
March 19, 2023
South Asian Premiere
Winner, Best Short Film <10 mins; Official Selection -
Salem Horror FestSalem, Massachusetts
United States
May 7, 2023 -
Galacticat Festival De Cinema FantàsticTarrega
Spain
June 12, 2023
Official Selection -
Macabro: Mexico City International Horror Film FestivalMexico City
Mexico
August 15, 2023
Official Selection -
Bali International Short Film FestivalDenpasar, Bali
Indonesia
May 22, 2023
South East Asian Premiere
Official Selection -
Ax Wound Film FestivalBoston, MA
United States
September 23, 2023
Official Selection
Alison Peirse is a multi-award winning horror writer and filmmaker. Her fourth book, Women Make Horror: Filmmaking, Feminism, Genre has won awards around the world and was the subject of a screening series at the Museum of Modern Art in August 2022. Her last short documentary, Three Ways to Dine Well, won awards and played festivals around the world, including Brazil, USA, UK, Thailand, Germany, Spain and Nigeria.
In Knit One, Stab Two, I explore the representation of knitters in over sixty horror films from 100 years of cinema and multiple filmmaking cultures. I ask, what happens when the woman knits in a horror film? What might the representation of knitting tell us about social and cultural expectations around gender, genre and age? This film then draws on the potential for videographic work to disrupt stereotyped representations of ageing women across over a century of horror cinema.