Jess Mastro uses high-concept genre to create visual and visceral metaphors for the human experience. Her sci-fi thriller Invisible House, produced by Chris and Roberta Hanley (American Psycho (2000), The Virgin Suicides(1999)) pre-sold to Lionsgate. Her psych-thriller-monster-horror Can I Come In? is being co-produced and financed by 369 Productions. Jess’s projects blend intricate character work with elevated, twisting plots, utilizing genre mechanics as a vehicle to express complex emotions. Jess enjoys exploring the dark corridors of culture, family dynamics, gender roles, abuse, guilt and trauma. She builds worlds where personal demons become literal horrors, and monsters often wear familiar faces. Jess film to confront uncomfortable truths, crafting stories that haunt audiences long after the credits roll.