Irreverence
Diane is trapped in a cabin in the woods battling a tricky relationship with her unstable husband.
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Matthew ArdiesProducerSnakes & Ladders
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Sheena KellyKey Cast"Diane"Manhunt (2019), Money Doesn't Grow On Trees (2019/20)
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Anthony MairsKey Cast"Fraser"Grainne Uaile (2023), The Racer (2019)
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Rab McPheeCinematographer, Editor
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Victoria Castellanos1st AC, Gaffer
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Catherine Osborne1st AD
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Ashlyn SpenceSound
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Robyn MawhinneySound
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Daniel de VecchisDirector
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Daniel de VecchisWriter
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Project Type:Short, Student
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Genres:Drama, Thriller, Mystery
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Runtime:9 minutes 38 seconds
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Completion Date:May 4, 2023
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Production Budget:650 GBP
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Country of Origin:United Kingdom
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Country of Filming:United Kingdom
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Language:English
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:Yes - Belfast Metropolitan College
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Poppy Jasper International Film FestivalSan Fransisco, California
United States
April 10, 2024
North American Premiere
Official Selection
Daniel de Vecchis (born 15th December 2001) is an independent filmmaker based in Belfast, Northern Ireland whose passion lays in the abstract end of cinema.
Irreverence is the most intense script I have written to date. A story with crushing themes that takes inspiration from David Lynch's "Twin Peaks: Fire Walk with Me" and Ingmar Bergman's "Persona", I wrote this story with the intent of challenging the audience's morality.
Borrowing from my own poem "Snowman", I came to Irreverence. Snowman is a tale about an abusive couple who continue to argue as ghosts after their death in the hands of each other in a cold desolate tundra. Contrastingly, Irreverence is set in a green forest and modern cabin...although it is equally as cold as Snowman in its tone and themes. Irreverence compares physical wounds to emotional wounds and how they can both easily cause similar amounts of pain... but it's also about how someone can pick apart them wounds after they have healed.
Irreverence, as a production, has taught me many things about filmmaking and even though the film is quite dark in its themes, comparatively, the production was a very fun process and we had a great time piecing together the film scene by scene.