In The Mood For Korean Cinema
“When was the true beginning of K-movies?” Starting with this question, we arrive at 2003, the Year of the Sheep. In South Korea, 2003 was when well-made films came pouring out, calling it the Renaissance of Korean films. With new talents such as Bong Joon Ho and Park Chan-wook emerging, the share of audience in Korean films went over 50%. Despite the political chaos all over the world, Korean films were evolving in both commercial and independent arenas. Amidst the recent K-contents craze around the world, we stop to take a look back at the most beautiful moment in Korean film history as if thumbing through an old diary.
This documentary was produced by Kim Hong-joon, the long-time Bifan festival director and currently the director of Korean Film Archive, as a part of Modern Korea documentary series from KBS.
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Hansang KIMDirector
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Hansang KIMWriter
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Taewoong LeeProducer
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Hong-Joon KimProducer
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Uyoung ChangProducer
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Hyung-Seok KimKey Cast
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Una BeckKey Cast
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Sori MoonKey Cast
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JaeMyung ShimKey Cast
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Jonathan KimKey Cast
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kijo KimmGraphic
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Project Title (Original Language):Han-gug-yeong-hwa Hwa-yang-yeon-hwa
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Project Type:Documentary, Feature, Television
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Genres:Korean Movie Golden Age
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Runtime:48 minutes 34 seconds
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Completion Date:November 17, 2022
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
Distribution Information
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KBS MediaSales AgentCountry: WorldwideRights: All Rights
KIM Han-Sang
As a media artist, he has worked with various mediums such as films, exhibits, and performance videos.
Recently, he directed essay films such as “Great Expectations: Taehung Pictures 1984-2004” (2022), “Modern Gangneung” (2021), “A Cine Artist Ahead of His Time, Kim Ki-young” (2018), “The Persona of Korean Films, Ahn Sung-ki” (2017), “The Captivating Actress, Kim Ji-mi” (2017), and “The Eternally Youthful Filmmaker, Kim Ki-duk” (2016) among others. He exhibited his works in various places including the Seoul Museum of History and the Arko Art Center.