Inmaculada


Immaculate leaves every day the poor neighborhood where she lives to clean a public bathroom in a fairytale park. There, while she mops in a mechanical routine, she searches for her spotless prince charming.

  • John
    Director
    Petrizzelli
  • John
    Writer
    Petrizzelli
  • Luis Suarez Bracho
    Producer
  • Ariana
    Key Cast
    "Cárdenas "
  • Nacho
    Key Cast
    "Huet"
  • Ana
    Key Cast
    "Contreras"
  • Project Title (Original Language):
    Inmaculada
  • Project Type:
    Short
  • Runtime:
    12 minutes 10 seconds
  • Completion Date:
    June 4, 2021
  • Production Budget:
    2,500 USD
  • Country of Origin:
    Spain
  • Country of Filming:
    Spain
  • Language:
    Spanish
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
Distribution Information
  • Mariko
    Distributor
    Country: Spain
    Rights: All Rights
Director Biography - John

Journalist, screenwriter and film director. Petrizzelli has written and directed fiction and documentary films. Among his most important productions are: Falsas Historias (1992), Carrao (1998), and the feature films: María Lionza, Aliento de Orquídeas, Er Relajo der Loro, El Santo Salvaje, Ti@s and Bárbara produced between 2007 and 2018. He has also written the narrative books Negro Lógico (1988), Historias para las Posibilidades del Músculo (2017) and El Conjuro de los Cardos (2020).

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Director Statement

Immaculate arises as a reflection on the invisible beings that we find in any great city. A character inspired by those anonymous women who clean streets and public spaces and whom almost no one takes into account.

Immaculate obsessively cleans the bathroom as her only ideal of personal fulfillment until someone appears and makes her dream of other possibilities for breaking the loneliness and monotony of her life.

However, Prince Charming turns out to be one of the many and Immaculate is forced to accept her reality, demonstrating a dignity that makes her the heroine of her own tragedy, as it happens with many women who are victims of opportunism and deception in societies every day more alienated.