Experiencing Interruptions?

INTRUSION

KK, an award-winning emerging actor who’s been constantly haunted by his disreputable past. For years, the media and haters just wouldn't let him go. One day, an online post spilled the beans about him and broke the Internet again, stirred another round of discussions. KK is no stranger to such situation and had his response formed in his mind. However, this time, a mysterious call changed everything …

Between private and public spheres, the truth and the misinformation, the boundaries became blurred…

  • TSUNG-FAN TAN
    Director
  • Sandee CHAN
    Director
  • TSUNG-FAN TAN
    Writer
  • Sandee CHAN
    Writer
  • ICHA LIU
    Producer
  • KAI KO
    Key Cast
  • Project Title (Original Language):
    侵密
  • Project Type:
    Short
  • Genres:
    Drama
  • Runtime:
    18 minutes 13 seconds
  • Completion Date:
    January 1, 2022
  • Production Budget:
    50,000 USD
  • Country of Origin:
    Taiwan
  • Country of Filming:
    Taiwan
  • Language:
    Mandarin Chinese
  • Shooting Format:
    Digital
  • Aspect Ratio:
    1920X1440
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    No
  • GOLDEN HARVEST AWARDS
    Taipei
    Taiwan
    June 3, 2022
    World Premiere
    in competition
Distribution Information
  • Hooray Films
    Sales Agent
    Country: Taiwan
    Rights: All Rights
Director Biography - TSUNG-FAN TAN, Sandee CHAN

Tan, born in 1979, Tan is a filmmaker, his work including video art, music video and videos commissioned for concerts etc.

Sandee Chan
Born in 1970, Sandee Chan is known as one of the most successful musicians in Taiwan. She has released 16 solo albums since 1990s, made soundtracks for several theatre pieces and films. She held solo photography show, published books and drawing books. Since 2013, she became involved in filmmaking such as music video and video art.

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Director Statement

When the conventional media becomes insignificant, the public opinion on social media dominates. What is the truth? The image captured by the media or the posts about misinformation and implication on the internet? Or the CCTV images that we assume to be absolutely objective? Perhaps, in the time we live in, there is no boundary between reality and the fiction anymore.