INTER/her
An immersive VR installation journey inside the female body, featuring personal health stories of post-reproductive diseases and treatment experiences, with an accompanying haptic corset to feel these experiences more vividly.
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Camille BakerDirector
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Camille BakerWriter
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Stories - most women have asked to be anonymousWriter
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Camille BakerProducer
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Maf’j Alverez - Creative Technologists/3D ArtistKey Collaborators
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Sarah Büttner - TiltBrush /3D object & environment artistKey Collaborators
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Bushra Burge - Wearable interaction/fashion designerKey Collaborators
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Paul Hayes - electronic engineer for haptic corsetKey Collaborators
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Kat Austen - Composer / Sound DesignerKey Collaborators
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Project Type:Virtual Reality, Installation
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Minimum Runtime:16 minutes
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Maximum Runtime:18 minutes
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Average Runtime:17 minutes
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Variable Runtime Details:As its virtual reality, it depends on how long users look around in between stories
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Completion Date:June 17, 2021
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Production Budget:25,000 GBP
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Country of Origin:United Kingdom
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Language:English
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Student Project:No
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Frequency FestivalLincoln
United Kingdom
October 26, 2023 -
Peckham Digital FestivalLondon
United Kingdom
February 2, 2023 -
Technologies of Care - University of Toronto and University of York co-hosted exhibitionToronto
Canada
April 7, 2022 -
game:play lab, Ontario College of Art and Design University (OCADU)Toronto
Canada
December 3, 2021 -
NeOn Digital FestivalDundee
United Kingdom
November 10, 2021 -
Access Space SheffieldSheffield
United Kingdom
September 15, 2021 -
Brighton Digital FestivalBrighton
United Kingdom
November 3, 2021 -
Lumen Prize 2021London
United Kingdom
September 22, 2021
Shortlisted 3D/Interactive Award -
Ars Electronica 2021 UK Garden: In The Invisible Garden Artistic PresentationLinz
Austria
September 10, 2021 -
EVA Conference DemoLondon
United Kingdom
July 7, 2021
no -
The Brewery Tap Project SpaceFolkestone
United Kingdom
June 22, 2021
Physical Installation Premiere -
Art in Flux: Reclaim in association with National Gallery XLondon
United Kingdom
March 30, 2021
Virtual Exhibition Premiere -
National Gallery X Showcase for Art in Flux: Reclaimed virtual exhibitionLondon
United Kingdom
March 30, 2021
no -
Kensington & Chelsea Art Week: Art in Flux: Reclaimed - virtual exhibitionLondon
United Kingdom
June 24, 2021
Camille Baker is an artist-performer/researcher/curator within various art forms: immersive experiences, participatory performance and interactive art, mobile media art, tech fashion/soft circuits/DIY electronics, responsive interfaces and environments, and emerging media curating. Maker of participatory performance and immersive artwork, Baker develops methods to explore expressive non-verbal modes of communication, extended embodiment and presence in real and mixed reality and interactive art contexts, using XR, haptics/ e-textiles, wearable devices and mobile media. She has an ongoing fascination with all things emotional, embodied, felt, sensed, the visceral, physical, and relational.
Her 2018 book New Directions in Mobile Media and Performance showcases exciting approaches and artists in this space, as well as her own work. She has been running a regular meetup group with smart/e-textile artists and designers since 2014, called e-stitches, where participants share their practice and facilitate workshops of new techniques and innovations. Baker also has been Principal Investigator for UCA for the EU funded STARTS Ecosystem (starts.eu) Apr 2019-Nov 2021 and founder initiator for the EU WEAR Sustain project Jan 2017-April 2019 (wearsustain.eu).
INTER/her is based on Baker’s experience and journey through the healthcare system while she was treated for a post-reproductive disease in 2016. The ideas and development of the work emanates from experiencing women’s silence, conflicting information, and inconsistencies in support for women’s health.
Baker was also inspired by the stories she started to hear from friends and family about their reproductive disease experiences, which seemed to be hidden or kept to themselves until she began to speak up about it. Baker wanted the artwork to allow the seeing of the unseen and give insight and emotional awareness of a subject that is little known or talked about.
The themes in the work include issues of female identity, sexuality, body image, loss of body parts, pain, disease and cancer. The work also represents the lived experience of women’s pain and anger, conflicting thoughts through self-care and the growth of disease. Feelings of mortality are explored through a medical process in male-dominated medical institutions and a dearth of reliable information.
The artwork developed out of a layered soundscape of the stories Baker collected and ambient sound design and music with an all-women team. Interaction designer Maf’j Alverez, and concept artist Sarah Büttner helped her create the visual environment and electronics. Fashion designer Bushra Burge worked with Baker to develop the haptic corset worn by exhibition visitors, and sound artist Kat Austen designed the sound experience.
The work is presented inside a physical bespoke dome tent in the centre of the gallery space with a vulva-shaped opening and seats for participants inside. Each participant is dressed in a ‘haptic corset’ before entering the tent, which is embedded with vibration actuators in different locations on the lower abdomen with different intensities and patterns. Sensations will be felt on the body that are triggered by the stories that will play through the 360 spatialised audio inside the dome.
Women will be able to share their personal experiences afterward and record them if they wish. Women’s health information and charity contacts will be available as they exit the exhibition.
Baker: "The INTER/her project comes directly from my own experience in fighting – and winning – against ovarian cancer throughout 2016 – 2017.”
This intense battle gave me the imperative to make something personal through my art practice; to give something back to other women, based upon my own experiences and journey through the healthcare system.
The seed grew from silence, inconsistent information, and minimal support for women’s health, then became inspired by stories I began to hear from friends and family. Stories that seemed to be hidden or kept secret until I opened up about my own experiences.”