ILLAM
Arun and Lakshmi, a traditional Indian couple, prepare for a long-awaited family dinner with their daughter, Priya, who has returned home for the evening. Excited to see her after a long time, they welcome her and her boyfriend, Michael, whom they are meeting for the first time.
The evening starts with polite conversation, but Arun remains reserved, quietly observing Michael. As they sit for dinner, an innocent slip from Michael reveals that he and Priya have been living together—something Priya had intentionally kept from her parents, knowing they would disapprove.
Arun is immediately shaken. His calm demeanor shifts to disbelief, and the dinner table turns into a battleground of emotions. He confronts Priya, struggling to understand how she could go against the values he has spent his life upholding. Lakshmi, caught between her husband’s anger and her daughter’s choices, tries to mediate, but Arun’s disappointment deepens into hurt as the argument escalates.
Priya, frustrated by her father’s rigid expectations, finally speaks her truth—she wants to live life on her own terms, not just as an extension of her family’s traditions. The confrontation lays bare the painful gap between them: Arun sees Priya’s actions as a betrayal, while Priya sees his resistance as an inability to accept her independence.
Lakshmi approaches Arun, attempting to console him. She gently reminds him of their own past—how her father once approved of their relationship, how they, too, had defied expectations to be together. Her words force Arun to look back on his own journey, reflecting on the choices he made and the pain they had caused.
As the weight of the past settles over him, Arun is faced with a realization—he has become the very figure of resistance he once fought against. In that quiet moment of retrospection, he makes a decision. He must let go of his daughter, not out of rejection, but out of love—the kind that exists beyond control, beyond tradition.
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Sruthi SubramanianDirector
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Vrishti SavalaniWriter
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Niranjana Karumampuram ArunkumarProducer
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Ajay VishwanathanKey Cast
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Project Type:Short, Student
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Runtime:12 minutes 59 seconds
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Production Budget:5,000 USD
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Country of Origin:United States, United States
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Country of Filming:United States, United States
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Language:English, Tamil
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Shooting Format:R3D
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Aspect Ratio:1:90:1
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Film Color:Color
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First-time Filmmaker:No
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Student Project:Yes - Savannah College of Art and Design
Sruthi Subramanian is a filmmaker who brings heart, precision, and a strong sense of collaboration to every project she takes on. Raised in a culturally rich and traditional household, she has always been fascinated by the unspoken emotions, generational conflicts, and deeply rooted customs that shape people’s lives. Her storytelling is deeply observational, drawing from real-life nuances of language, body language, and cultural dynamics to create narratives that feel authentic and lived-in.
Beyond the technicalities of filmmaking, Sruthi is someone who thrives in the energy of a set. She loves working with people, building strong teams, and creating an environment where creativity and efficiency go hand in hand. Whether she’s directing, producing, or coordinating, she approaches every challenge with a mix of meticulous planning and adaptability, ensuring that every production runs smoothly.
With experience spanning narrative films, documentaries, and XR filmmaking, Sruthi has a keen eye for detail and a deep respect for the collaborative nature of filmmaking. She believes that the best stories come from a place of truth and empathy, and she is committed to bringing such stories to life through her work.
Illam is a relatable story that reflects the struggles of tradition, independence, and acceptance within families. Directed by me, Sruthi Subramanian, this film is not a personal story but one deeply rooted in cultural realities. I have drawn from my own observations of my culture, people, language, body language, reactions, and cultural depictions to bring authenticity to the narrative.
At its core, Illam explores a father's struggle to let go. Arun’s disapproval of Priya’s relationship with Michael is not just about cultural differences but the fear of losing his daughter. The film delves into how love, in the minds of parents, becomes entangled with tradition and expectations, sometimes clouding their true intentions.
By telling the story from the father’s perspective, I aim to bridge the gap between generations, fostering empathy and understanding. Illam is a universal tale of change, acceptance, and trust, reminding us that love sometimes means letting go. My hope is that audiences connect with its authenticity and find resonance in its portrayal of generational conflict.