Hinges of Paint

In an Artistic Residency mentored by the renowned plastic artist Ricardo Kolb, 11 artists were selected for an immersion in the universe of Abstract Expressionism. In this experience, described as a creative egregore, participants wander between the connection with the interior through painting and the importance of collective work.

  • Luiz Henrique Vieira
    Director
  • Luiz Henrique Vieira
    Writer
  • Vanessa Neitzke
    Writer
  • Vanessa Neitzke
    Producer
  • Gabriella Boczkovski
    Director of Photography
  • Gabriella Boczkovski
    Cinematography
  • Gabriella Boczkovski
    Art Director
  • Kevin Pedrozo Osorio
    Camera
  • Eduardo Augusto R Cardozo
    Editing
  • Luiz Henrique Vieira
    Editing
  • Project Title (Original Language):
    Gonzos de Tinta
  • Project Type:
    Documentary, Student
  • Genres:
    Documentary, Art, Painting
  • Runtime:
    14 minutes 6 seconds
  • Completion Date:
    January 5, 2022
  • Production Budget:
    0 USD
  • Country of Origin:
    Brazil
  • Country of Filming:
    Brazil
  • Language:
    Portuguese
  • Shooting Format:
    HD
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    Yes - Universidade da Região de Joinville - Univille
Director Biography - Luiz Henrique Vieira

Enthusiastic about cinema since childhood, Luiz Henrique has always been interested in documentaries. Because of this, he decided to study journalism at college. With the maturity acquired in the area, he started producing reports for a local newspaper and later working as an assistant director in several short films. After that, he began attending film school at Univille. In 2021, he recorded his debut short-film as a director, the documentary "Hinges of Paint", which is scheduled to premiere in 2022.

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Director Statement

Directing this documentary was very special to me. With a team composed entirely of film students, we seek to explore what is most personal in the concept of art, taking them into their thoughts together with abstract art. Registering several people connected with a single objective, but at the same time producing their own works and their personal desires, was certainly the right decision for my first film as a director.