Script File
High Crimes
The shocking story of how a megachurch Pastor turned a brutal murder into millions. Inspired by true events.
HIGH CRIMES is a one-hour serial drama telling the multi-layered and unbelievable true-crime story of how motiveless murderer Donny Moore climbed the ranks of church employment to become an adored, multi-millionaire megachurch pastor.
On a sunny day in 1975, Donny Moore decapitates innocent Sunday school teacher Joann Emory. In prison, Donny’s inexplicable charm and wit earns him the approval of the warden, and when he claims he has undergone a religious jailhouse conversion earning him God’s forgiveness, he is released after serving just seven years. He climbs the ranks of church employment to become the highly-paid pastor of a megachurch, exploiting fraud, sexual abuse and even Congress in his quest for success. Meanwhile, Joann’s son Alan lives a very divergent life, grappling with depression, cancer, poverty, unresolved grief, and a desperate, often delusional thirst for justice. We follow the stories of Donny and Alan, two vastly different lives inextricably bound by tragedy and injustice, as they navigate the world after Joann’s murder – and ultimately meet again.
On the surface, the eight episodes tell the devastatingly contradictory and shocking life stories of both Donny Moore and Alan Emory, but the real, underlying subject of the story is the corruption and danger of politically-driven religious fanaticism. HIGH CRIMES employs a unique and bingeable story structure, intertwining multiple time periods, deploying unnamed characters and dropping “Shyamalan-style” twists every episode. Used to expose the disturbing ego of the megachurch and the deep humanity of grief, these story devices serve a level of character nuance and sophisticated storytelling rarely found outside of theatre or literature.
A cross between THE PEOPLE V. O.J. SIMPSON: AMERICAN CRIME STORY and TRUE DETECTIVE, yet a unique and groundbreaking story of its own, HIGH CRIMES leaves our audience to ask themselves the unanswerable question: can injustice and God co-exist?
HIGH CRIMES is an analogue to the real-life murder of Jo Ella Liles at the hands of megachurch superstar Maury Davis. While much of the public domain information about the case (court and case files, news articles, etc.) is word-for-word in the story, the bulk of the dramatization is fictional and names have been changed to protect the victim’s memory and family’s privacy.
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Melanie Abrams FiersteinWriter
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Project Type:Television Script
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Genres:Drama, True Crime
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Number of Pages:51
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Country of Origin:United States
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Language:English
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First-time Screenwriter:No
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Student Project:No
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Chicago Screenplay Awards
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Pasadena International Film Festival
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Coverfly Red List
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Coverfly Top 2% Of All Projects
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Atlanta Film Festival
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Outstanding Screenplays Contest
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The TITAN Contest
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Shore Scripts Contest
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Screencraft TV Pilot Competition
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Austin Film Festival
Semifinalist -
Coverfly Top 1%
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Coverfly Red List
Melanie Abrams is a Los Angeles based screenwriter specializing in high-brow, poignant, character-driven dramas, true stories and IP adaptations. Her projects have been awarded by ScreenCraft, Industrial Scripts, Chicago Screenplay Awards, Shore Scripts, Pasadena International Film Festival, Outstanding Screenplays, Scriptapalooza, the Hollywood Screenwriting Contest, and remain in the top 3% of all Coverfly projects. Her most recent projects include The Domestic Diva, an adaptation of the New York Times' bestselling novel series by Krista Davis, who chose Melanie specifically to adapt her novels for the screen, and High Crimes, a true-crime miniseries which The Blacklist called "chilling, shocking and powerful," and Shore Scripts deemed "brilliantly written and wonderfully compelling." Her feature drama Sunrise, a modern adaptation of the first Academy Award-winning silent film Sunrise: A Song Of Two Humans, won the Hollywood Screenplay Contest and placed in the Top 10% of Scriptapalooza. She is the granddaughter of Australian music pioneer April Byron, and is currently in the research phase for a musical dramedy series based on April's life. Melanie earned her degree in Screenwriting and Political Science, and has worked as a political consultant during election cycles for over a decade. She is deeply committed to producing meaningful and marketable material, with the unique perspective of a woman with a unorthodox upbringing competing in a male- dominated field.
I grew up in Los Angeles, so naturally, I was blessed (cursed?) with an insatiable creative itch. I am a screenwriter, and when I am not banging my head against the wall or online shopping, I am writing high-brow, poignant, character-driven stories. I specialize in dramas/dramadies and true story/IP adaptations.
My most recent projects include The Domestic Diva, an adaptation of Krista Davis' 'New York Times' bestselling novel series, which is currently optioned, and High Crimes, a true crime miniseries which The Blacklist called "chilling, shocking and powerful," and Shore Scripts deemed "brilliantly written and wonderfully compelling." My first feature, Sunrise, an adaptation of the first Academy Award-winning silent film Sunrise: A Song Of Two Humans, won the Hollywood Screenplay Contest and placed in the Top 10% of Scriptapalooza. I am currently working on a musical dramedy about the life of my grandmother, Australian music pioneer April Byron. I am deeply committed to producing meaningful and marketable material, with the unique perspective of a woman in male-dominated industry. I write stories I need to tell, and it is my life's greatest joy when my stories provide inspiration and entertainment to others.