Hannah Can You Hear Me?
A black and white film, inspired by Hannah Chaplin, Charlie Chaplin’s mother.
A story about a boy and his mother; Unconditional love through different phases. The mother mental illness the pain. The son moving to an orphanage but believe in his mother and his strength. The treatment of women in the beginning of the 20th century; dismissal abusive and cruelty.
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Sonjja BaramWriter
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Sonjja BaramDirector
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Noam BaramProducer
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Sonjja BaramProducer
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Sonjja BaramKey Cast"Hannah Chaplin"
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Noah K. PepajKey Cast"Charlie Chaplin (kid)"
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Nick JordanKey Cast"Charlie Chaplin (adult)"
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Project Title (Original Language):Hannah, voce pode me ouvir?
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Project Type:Experimental, Feature
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Runtime:60 minutes
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Completion Date:May 31, 2024
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Production Budget:300,000 USD
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Country of Origin:United Kingdom
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Country of Filming:United States
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Language:English
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Shooting Format:4K (3840 X 2160)
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Aspect Ratio:16.9
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Film Color:Black & White and Color
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First-time Filmmaker:Yes
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Student Project:No
Filmmaker Sonjja Baram started her career in fashion at the age of 14 as an international model. She then studied fashion and art at the prestigious School of Fashion and Art Esmod-Paris. She became a highly regarded designer with her own brand and believed her path was set until she came across with the reality of the fashion world. She discovered that behind the beautiful faces and captivating world of fashion lay an ugly truth: that the industry was responsible not only for animal cruelty but also modern-day slavery, child abuse and significant environmental devastation.
This led Sonjja to steer her career in a new direction. She chose to turn her energies towards cinema, utilizing her creative talents to bring captivating, engaging stories to audiences around the world. After immersing herself in the study and lore of filmmaking, Sonjja created her first short-subject documentary, Confessions Of A Fashionista, an examination of the hidden effects of fashion on our fragile biosphere. Sonjja’s film also profiles designers who are on the cutting edge of mitigating this damage by adopting sustainable methods of clothing production. Another documentary in progress will explore the world of affordable and 100% sustainable “eco-communities,” which are starting to proliferate throughout the United States and abroad.
Having decided to branch out from documentaries, Sonjja wrote and directed a remarkable subject biopic based on the life of iconic actor Charlie Chaplin’s troubled mother. Blending imagery of the great Chaplin with vignettes of his disturbed but loving mother, Hannah, Can You Hear Me? is a visual tour de force, bringing the beautiful and tragic (yet hopeful) story of this troubled subject to the screen in a poignant, novel presentation reminiscent of some of the great films of the silent movie era.
As Sonjja embraces this exciting new chapter of her life as a storyteller, documentarian and environmental activist, she looks forward to continuing to use film to create vibrant images and captivating stories and to spread urgent messages. Sonjja’s spirit is her guide, and the journey continues.
I was born in Southern Brazil as the seventh of ten children to a single mother after the death of my father. I grew up around simplicity, with little money to buy toys, so creativity and imagination was a must to help my siblings and I entertain ourselves. When our TV broke, my brothers and I would climb on the neighbor’s window to watch “The Three Stooges” or sexy Marilyn Monroe in “Some Like it Hot,” and “Gone With the Wind,” which made me look into the intrinsic strength of women in always rising up with innovation and grace.
“Hannah, Can You Hear Me?” is about a single mother who went through the struggles and discrimination of mental illness, poverty, and raising a child on her own; a creative artist trying to make it in an era where women’s talent were not recognized. She still managed to make a huge impact on the lives of her children, resembling my own upbringing and my resilient mother struggling to survive.
When I came across the story of the mother of the number one, most inspirational film maker of all time, it was like I went back in time to my childhood, not only remembering my mother struggles in raising us, but also the Sunday afternoons that we’d all spend together watching Charlie Chaplin on a tiny television. The memory I see is not only of what was going on the TV, but also my mother sitting there, laughing the loudest, and I’d sit there and look at her in amusement, watching her enjoy it the most. When I learned that Hannah Chaplin was the true inspiration of her son’s talent I started doing research and got intrigued by the story that was never told. I believed that people needed to know about the fascinating childhood story of the genius that made us all laugh and cry; he was telling the story of his life, we just didn’t know it.
After writing the story, I spoke to a few film makers I knew to help produce and direct the movie and kept getting the same answer, “nobody cares about Charlie Chaplin’s mother!” So, I decided to direct it myself. Our budget didn’t allow us to go and film in the original locations, but we were able to scout perfect places in New York City that resembled London in 1894. We tried to keep the late 19th century style of filming in Central Park, South Street Sea Port and old theaters and pubs in New York City.
I asked my husband to help me produce the movie as his knowledge about cinema is very vast and deep. I was right; he was a good team for this project. My passion for the story and his knowledge about cinema, made, “Hannah, Can You Hear Me?” come to life.
We wanted to keep the integrity of the silent film era, so we decided to shoot the movie with a simple Sony a7iii and mirrorless camera, which would give us a feeling of the birth of cinema, emphasizing the importance of capturing all the details and expression of the time, especially facial expression at the time of fear and desperation without words. Most of the music is original and meant to capture feelings of limelight, City lights, but also bringing out a satirical taste of Scott Joplin. We used only instruments that were major influences of that time period; accordion, violin and piano.
The scene in color in the park represents a joyful moment resembling the impressionist style like that of Renoir. The interaction between mother and child, which is funny and emotional, represents Charlie Chaplin’s silent comedies. A lot of research went into costume design in order to bring the values and traits of the time period, but still keep the essence of Hannah, who was like an earlier version of Gloria Swanson in Sunset Boulevard. Despite not having food and money to pay rent, Hannah continued being marvelous, keeping her elegance and grace with long dresses with laces, ribbons and hats.The art direction was inspired by the bohemian flare in the late 19th century when European artists started to express themselves more freely. The painful reality that mother and son went through in the asylum and orphanage was captured by the noir style of German Expressionist Silent Cinema.
This project was fascinating to create and I hope you will find this picture inspiring. Let it take you back to the birth of cinema; the beginning that was so mysterious, seductive and mesmerizing.