Experiencing Interruptions?

"Hand of Time" - Triptides Music Video

An ironist’s deconstruction in evolutionary relationships between tools and gestures under the guise of a civilized man studying a boorish caveman and an emotionally repressed cyborg, both in which are playing with props purchased from a junk store. Stylistically, the music video is shot in a retro ‘70s home, on a moving truck bed of a 1978 International Scout, and in front of a green screen, recorded by a plethora of cameras, ranging from super 16mm film to 360° digital video, making “Hand of Time” a hodgepodge of fun.

  • Lejla Subasic
    Director
  • Lejla Subasic
    Producer
  • Lejla Subasic
    Writer
  • Glenn Brigman
    Key Cast
  • Stephen Burns
    Key Cast
  • Brendan Peleo-Lazar
    Key Cast
  • Project Type:
    Experimental, Music Video, Other
  • Genres:
    Humor, Sci-Fi
  • Runtime:
    5 minutes 4 seconds
  • Completion Date:
    April 8, 2021
  • Production Budget:
    2,600 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Language:
    English
  • Shooting Format:
    Digital, 360, Super 16mm
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
Distribution Information
  • Big Takeover
    Distributor
    Country: Worldwide
    Rights: Internet
  • Youtube
    Distributor
    Country: Worldwide
    Rights: Internet
  • Facebook
    Distributor
  • Instagram
    Distributor
    Country: Worldwide
    Rights: Internet
  • Xerb
    Distributor
    Country: Worldwide
    Rights: All Rights, Video on Demand
Director Biography - Lejla Subasic

Lejla Subašić is a 23-year-old Bosnian video artist, writer, and improviser. She lives in Los Angeles and graduated from Columbia College Chicago in creative nonfiction writing in 2020.

Add Director Biography
Director Statement

Subašić entertains by playing with perception, breaking linguistic taboos, and poking at the idea of ready-made perfection. As a creature of chaos and a tremendous goof, it is only natural that her eyes are peeled to human decadence. She invites the audience to get comfortable with commotion—to guide themselves by a vein for play and to pursue their interactions with the unconscious mind. In other words, to take their loafers and heels off and run free into the wild.