Private Project

Greasepaint

"Greasepaint" is a film that intertwines a dramatic exploration of identity with elements of thriller and horror. The story revolves around a con artist named Pierrot, who survives by stealing others' identities. As the boundaries between his real self and his assumed personas blur, he becomes obsessed with his doppelgänger’s near-superhuman charisma.

Set entirely in one location—an abandoned house in the middle of Tokyo that conceals the secrets of Hiro Nakamura—the film unravels as Pierrot discovers the life of Hiro, a young man who looks exactly like him. Hiro is admired as the perfect human, possessing the charm and charisma of a natural leader, and Pierrot makes him his next target. Pierrot meticulously studies Hiro through 100 videotapes he finds in Hiro's old room, learning to mimic his mannerisms, hairstyle, and speech patterns to the point of even fooling Hiro's best friend, Kaito.

However, things begin to unravel when Soon-Bok, Hiro's half-sister, unexpectedly appears at the doorstep. Initially confused, she decides to stay with Pierrot. As time goes on, though, their relationship deteriorates. Pierrot soon learns that Hiro’s parents plan to sell and demolish the house, while Soon-Bok re-watches a hidden tape that reveals Hiro had sexually assaulted her during his graduation party. This discovery leads to a confrontation between Soon-Bok and Pierrot, where she attempts to destroy the camera before fleeing the house.

Still posing as Hiro, Pierrot decides to host another “graduation party,” seeing it as his ultimate test to convince Hiro’s old classmates that he truly is Hiro. During the party, Pierrot overhears rumors of Hiro’s assault on Soon-Bok, which leads him to discover missing tapes in which Hiro blames society for failing to recognize his brilliance, culminating in his own suicide as an act of revenge.

Trapped in an identity crisis, Pierrot finds himself unable to separate his true self from Hiro’s persona, leading to a confrontation with a shadowy figure—a personification of his deepest fears. Ultimately, Pierrot is saved by Soon-Bok, who, burdened by guilt, returns to the house to free him.

  • Luca Pietro Beuthan
    Director
    Umbra (Short), Existo Ergo (Short), Office Hours (Short)
  • Luca Pietro Beuthan
    Writer
    Umbra (Short), Existo Ergo (Short), Office Hours (Short)
  • Luca Pietro Beuthan
    Producer
    Umbra (Short), Existo Ergo (Short), Office Hours (Short)
  • Dixon Wong
    Producer
  • Newtoon Soo
    Producer
  • Ryusuke Kobayashi
    Key Cast
    "Pierrot/Hiro Nakamura"
  • Ryo Matsuura
    Key Cast
    "Soon-Bok"
    December
  • Project Title (Original Language):
    グリースペイント
  • Project Type:
    Feature
  • Genres:
    Horror, Thriller, Drama
  • Runtime:
    1 hour 57 minutes 36 seconds
  • Completion Date:
    October 26, 2024
  • Production Budget:
    2,500,000 JPY
  • Country of Origin:
    Japan
  • Country of Filming:
    Japan
  • Language:
    Japanese
  • Shooting Format:
    Digital, Arri Alexa 35
  • Aspect Ratio:
    18:9
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    No
Director Biography - Luca Pietro Beuthan

Luca P. Beuthan (born 1997) is an Italian-German filmmaker. Born in Italy to a German father and Italian mother, Luca developed a deep connection to both cultures from a young age. In 2019, at the age of 21, he moved to Japan, seeking new creative horizons and immersion in a different cultural landscape. Over the next five years, Luca worked multiple jobs in Tokyo while saving money to finance his first feature film.

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Director Statement

When I moved to Japan I was young, in love with Japanese cinema, and determined to learn the craft in this country. I didn't know the language and didn't have any connections. Over the years, I’ve had to assimilate to Japanese customs and ways of being, which often clashed with what I was used to as an Italian—so much so that I started to question my own identity: who I was and who I pretended to be on the outside. That’s what inspired this film: the realization that, in order to assimilate, you may have to cancel out something else—and the struggle that comes with it.

"Greasepaint" is also a mix of European cultures fused with Japan. The crew working on the film came from a variety of backgrounds, with English, German, Japanese, and Chinese being spoken all over the set. This diverse blend is precisely what made the film
special, combining European literary influences with Japanese themes.