Goodnight, Stargazer
A couple of astronauts are on their way home after a long journey. As they encounter damage to their ship and they run out of oxygen, one of them is going to have to make the ultimate sacrifice.
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Adriano RudimanDirectorEffect, The Stalker
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Adriano RudimanWriter
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Ludovica SordiProducerMacchiato, Stranded short film
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Adriano RudimanProducerThe Stalker, Effect short film, Sephia, Terlarut Music Video
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Roze ElisaKey Cast"Dawn"
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Rachel BrowneKey Cast"Luna"
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Heeyeon ParkKey Cast"Yuki"
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Project Type:Short, Student
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Genres:Sci-Fi, Drama
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Runtime:15 minutes
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Completion Date:March 20, 2020
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Production Budget:14,000 USD
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Country of Origin:Indonesia
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Country of Filming:United Kingdom
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Language:English
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Shooting Format:Digital
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Aspect Ratio:2.35:1
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Film Color:Color
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First-time Filmmaker:No
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Student Project:Yes - London Film School
Adriano Rudiman is a filmmaker from Bandung, Indonesia. After directing several shorts, music videos and working in feature film productions he decided to take a masters in filmmaking in London Film School. There he got to work on more projects in which he fell in love with the craft of making sci-fi film productions. Goodnight, Stargazer was his final year film project which he wrote, produced and directed himself.
The film was inspired by two things: my homesickness as I was studying abroad in the UK, which inspired the space-setting and the story of my colleague from the London Film School who has a wife in the military in which her wife was often deployed in life-threatening missions. This predicament always made her worry about the possibility of her wife going home. From this idea, I started to write the story of Goodnight, Stargazer.
The story is a very simple and straightforward one story-wise, but the VFX and production design was something we wanted to try on as students to understand more about the workflow of a bigger scale production. In the end it was something we were proud to have made as we learned so much in-camera fx-wise and hardships from the production that we felt we were ready to tackle a more serious production.
While made in the UK, as the London Film School is a very international school, the film involved a very diverse crew. Mainly from Europe, China and Southeast Asia. The VFX was 90% done by the director himself in the span of seven months, with 10% of the VFX shots done by a more professional Indonesian VFX artist.