GUCK
A woman who fell into a pit of tar has to maintain her optimism when a chicken tries to deplatform her.
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Jack ChisikWriter
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Jack ChisikDirector
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Jack ChisikEditor
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Jack ChisikProducer
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Eric LeProducer
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CurranProducer
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Sangsu HaProducer
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Kris MitchellProducer
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Eric LeDirector of Photography
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MacKenzie RickerAssitant Camera
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Hannah ZimmermanArt Director
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Hailey HoweKey Cast"Girl Who Fell Into Tar Pit And Escaped"
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Marty AlcantarKey Cast"The Chicken"
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Jeronimo LoperaanKey Cast"Janitor #1"
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CurranKey Cast"Janitor #2"
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CurranKey Cast"Guy Who Got Glitter Exploded All Over His Face"
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Sid BostekKey Cast"Sound Silhouette"
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Brandon FecteauKey Cast"Director Silhouette"
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MacKenzie RickerKey Cast"Assistant Director Silhouette"
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Robby SimmsKey Cast"Puppet Who Learned How To Time Travel (Operator)"
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Emma LundgrenKey Cast"The Rabbit"
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Kris MitchellAssitant Editor
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CurranEditing Consultants
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Emma LundgrenEditing Consultants
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Nik LiguoriEditing Consultants
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Kris MitchellCostume and Wardrobe
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Hannah ZimmermanGaffe
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Brandon FecteauKey Grip
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Torrence WilliamsGrip
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Sid BostekSound Mixer
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Robby SimmsSound Mixer
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Jack ChisikSound Designer
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Jack ChisikOriginal Score
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Daniel GilesSound Mastering
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Emma LundgrenCraft Services
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Project Type:Experimental, Short, Student, Other
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Genres:Sci-Fi, Surreal, Drama, Comedy, Dramedy
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Runtime:14 minutes 40 seconds
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Completion Date:May 4, 2023
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Production Budget:1,000 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:Digital
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Aspect Ratio:2:1
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Film Color:Color
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First-time Filmmaker:No
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Student Project:Yes - College For Creative Studies
Jack Chisik is an experimental independent filmmaker/animator residing in Detroit, MI enrolled in the College For Creative Studies. Chisik finds inspiration from the intersection of normal and bizarre. He appreciates narratives that challenge viewers to analyze the abstract with "out of bounds" visuals that shock the senses while also leaving an impactful deep resonance, often tapping into 21st century nostalgia. Chisik is intricately involved in all processes of filmmaking from conception, direction, visual and practical effects, and original scoring, leaving his unique touch on every project he puts forth.
I personally don't grasp "GUCK" in its totality, but I do sense on a very deep and intuitive level why these three characters need to function in front of and combat against one another. I see a universal truth within the digital mythology of this film that I am uncovering after each re-watch. But as I currently sit with this project, I take away an absurd yet strong surge of nihilistic monotony, cringe-culture, its pride and motherhood.