Frame In Frame
Yang Sun-hyung explains a film to Ha Na-kyung by showing the film he participated in as an actor. He says he is the author of the original novel of the film, but at the same time he plays the character in the novel. But as time goes by, it's kind of weird. The boundaries between the space in the film and the real space that the two are watching become blurred. Also, the time of the film that looked like a real time turned into a question that may not be linear.
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The cinema is passive in that we must look at the images projected on the screen. But Frame in Frame shows how the cinema extends beyond the boundaries of the screen. In a restaurant with only frames, a man and a woman look out over the sea. There is a television in this background, in which a film made by the man, based on the novel he wrote, is shown. Expansion from text (novel) to film. Just as the man in the television crosses the border between the sea and the beach, the restaurant in its intact state is revived in the television. The boundary crossing and expansion proves that the cinema is a medium requiring active interpretation (film critic HUH Nam-woong)
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Ji-hwan KimDirector
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Ji-hwan KimWriter
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Ji-hwan KimProducer
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Yang Sun-hyungKey Cast
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Ha Na-gyungKey Cast
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Yoon Kwan-heeDirector of Photography
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Kwon Ye-eunSound
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Choi Hwan-hiMixing
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Park Chul-wooD.I.
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Kim Tae-heeTranslation
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Project Type:Documentary, Experimental, Short
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Runtime:27 minutes 37 seconds
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Completion Date:September 1, 2019
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Production Budget:1,000 USD
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Country of Origin:Korea, Republic of
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Country of Filming:Korea, Republic of
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Language:Korean
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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4th Melbourne Documentary Film FestivalMelbourne
Australia
June 30, 2020
Australia Premiere
International Short -
11th DMZ International Documentary Film FestivalGo-Yang(DMZ)
Korea, Republic of
September 22, 2019
World Premiere
Korean documentary showcase
Distribution Information
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PostfinDistributorCountry: Korea, Republic ofRights: All Rights
Kim Ji-hwan (born 1990) is a filmmaker and curator. He is the director of Sorigrim, a collective that introduces moving images in South Korea. He explores the theme of ‘Memories of Space’ through film and digital media. He holds a master's degree in documentary from the Korea National University of Arts. His films have screened at DMZ International Documentary Film Festival(DMZdocs), Festival des Cinémas Différents et Expérimentaux de Paris(FCDEP), Experimental Film and Video Festival in Seoul(EXiS), Beijing International Short Film Festival(BISFF), Melbourne Documentary Film Festival(MDFF), Asian Artist Moving Image Platform(AAMP), etc.
Frame In Frame(2019)
- 11th DMZ International Documentary Film Festival
- 4th Melbourne Documentary Film Festival
Snowy Train(2024)
- 21th Experimental Film and Video Festival in Seoul (EXiS2024)
- 26th Festival des Cinémas Différents et Expérimentaux de Paris (FCDEP2024)
- 8th Beijing International Short Film Festival (BISFF2024)