Fragments of a Hologram Rose

葛昌惠。https://www.zinphoto.net/
Born in 1982. The Department of Drama, National Taiwan University, and the Institute of Design, National Taiwan University.
He is currently a PhD student at National Taiwan Normal University and a part-time lecturer in the Department of Design. The research field is VR multi-faceted narrative and science fiction prototype. His academic background spans drama and design, and he has been focusing on ecological conservation, energy pollution and other issues for a long time. In recent years, he has combined with biological genetic issues to form a creative group "Distant Relatives Laboratory", which continues to research and create the future of mankind. Published.
In his early years, he participated in the design and performance of the theater company, integrating live music and video installations to participate in cross-field performances. Cooperated with Shakespeare’s sisters’ troupe, creation agency, Wuyou puppet theater, once again refused to grow up, Tang Meiyun opera troupe, Wanhua opera troupe, Sanqueyi troupe, A troupe, Pirate Fire troupe, etc. After studying in graduate school, I focused on the combination of dynamic images and technology and art. In the creation case of the "Remote Relatives Laboratory", I used field visits as the framework, and added the setting of sci-fi texts to create "pseudo sci-fi films" that coexist with reality and fiction. form.
In 2019, the research topic is Cyborg Mechanical Biochemical Transformation and Female Body Consciousness. During this period, a text workshop was held at Yangming University to share sci-fi creation methods, continue the concept of sci-fi archetypes, and bring elements of technological fantasy into script creation.
He has won the Taishin Art Award, German Red Dot Design, Adobe Design, IPA, Px3 Photography Award, etc.
Important works: The animated short film "no nuclear" on energy issue was shortlisted for the 11th Kaohsiung Film Festival. In 2013, it was selected as the first Rookie Artist of the Ministry of Culture with the experimental video of stray animals "Discarded". In 2016, digital images were preserved by ecology. "Illusory Ecology" was selected as the artist-in-residence of the Taipei City Arts Promotion Office. In 2017, he participated in the "Gravity" National Art Museum joint exhibition, the series of works "I Am" from 2017 to 2020, and participated in Yangming University's "Gene Revolution Technology Biology" in 2020. Art Exhibition", continued to create the sci-fi work "Study of Life" radio drama series from 2018 to 19, and will be developed into a sound installation exhibition after receiving subsidies from the Ministry of Culture in 2021.
生於1982年。台大戲劇學系、師大設計研究所。
現為國立台灣師範大學博士研究生，並為設計系兼任講師。研究領域為VR多面向敘事與科幻原型。學經歷背景橫跨戲劇與設計，長期關注於生態保育、能源污染等議題，近年與生物基因議題結合，組成創作團體「遠房親戚實驗室」，持續對人為未來的樣貌，進行研究與創作發表。
早年參與劇團設計、演出工作，融合現場音樂、錄像裝置參與跨領域展演。與莎士比亞的妹妹們的劇團、創作社、無獨有偶劇團、再一次拒絕長大劇團、唐美雲歌仔戲團、萬華劇團、三缺一劇團、A劇團、盜火劇團等合作。就讀研究所後，關注於動態影像與科技藝術的組合關係，於「遠房親戚實驗室」的創作案內以田野參訪為架構，另加入科幻文本的設定創作虛實並存的「偽科幻片」形式。
2019年研究主題為cyborg機械生化改造與女性身體意識，期間於陽明大學舉行文本工作坊，分享科幻想像創作方法，延續科幻原型的概念，將科技幻想的元素帶入至劇本創作中。
曾獲台新藝術獎、德國紅點設計、Adobe設計、IPA、Px3攝影獎等。
重要作品：能源議題《no nuclear》動畫短片入圍第十一屆高雄電影節，2013年以流浪動物實驗錄像《丟棄》入選第一屆文化部第一屆藝術新秀，2016年以生態保育數位圖像《幻境生態》入選為台北市藝文推廣處駐館藝術家，2017年參與《萬無引力》國家美術館聯展、2017~2020年系列作品《有我在》、2020年參與陽明大學《基因革命科技生物藝術展》 、2018~19年持續創作科幻作品《憂生學》系列廣播劇，2021獲文化部補助將發展為聲音裝置展覽。