For the Best
A young woman holds on to a painful secret. Shamed by society into silence and secrecy, she is denied autonomy. But the winds of the women's liberation movement are gathering and she finds herself swept into a new world of female empowerment where she can let go of her shame, reclaim her past, and find her voice.
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Madeline WahlDirector
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Madeline WahlWriter
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Madeline WahlKey Cast"Paula"
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Marnie MahannahKey Cast"Marguerite"
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Anna TerebkaKey Cast"Liz Bailey"
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Madeline WahlProducer
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Robert WahlProducer
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Jordan GriffithDirector of Photography
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Victoria PearsonProduction Design
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Project Type:Short
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Runtime:10 minutes
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Completion Date:May 18, 2019
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Production Budget:2,000 USD
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Country of Origin:Canada
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Country of Filming:Canada
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Language:English
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Shooting Format:Digital
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
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Canada Shorts-Canadian and International Short Film FestSaint John
Canada
Official Selection/Award of Distinction -
ScreenCraft Film Fund
Semi-Finalist -
Canadian Film FestToronto
Canada
World Premiere (festival postponed due to COVID-19)
Official Selection -
Oregon Short Film FestivalPortland/The Dalles
United States
August 18, 2020
United States Premiere
Official Selection -
Oregon Short Film FestivalPortland/The Dalles
United States
Finalist-Best International Short Film Award
Madeline is a Vancouver-based actor and filmmaker with a passion for storytelling. ‘For the Best’ is her directorial debut. As an actor Madeline struggled to find good scripts with complex and dynamic female characters. Instead of sitting around waiting for someone else to write her these roles, she resolutely decide to take matters in to her own hands, and along with her script, took on the key creative and production roles to bring this personal story to the screen. The script was a Semi-Finalist in the 2018 Screencraft Fall Film Fund. Madeline continues to act but has found a new calling in directing and writing and will continue to create projects with a female gaze.
Madeline graduated from McGill University in 2012 with a Bachelor of Arts.
I was interested in telling a female-driven narrative inspired by my mother’s real life experience as a pregnant, unwed young woman in small town Western Canada in the late 1960s. I wanted to celebrate how far women have come in the struggle for equality, especially with regards to our own bodies. Sadly, in 2020 it seems a woman’s right to decide what to do with her body is still up for debate, thus our narrative is not as era-specific as we would like to think. The audience is allowed a glimpse of our heroine being escorted through the motions of hiding her shameful situation, keeping reputations intact and leaving questions unanswered. As she ultimately forges her own path to self-acceptance, I hope that the film inspires you to think about the women in your life and the formidable reserves of strength, courage and compassion that define them.