Flowers

"Flowers", featuring the talented Atli Óskar Fjalarsson, is Grétar’s first short film post film school graduation. It's a light-hearted comedy that revolves around the theme of having the confidence to pursue one's desires.

  • Grétar Ice Jónsson
    Director
  • Grétar Ice Jónsson
    Writer
  • Grétar Ice Jónsson
    Producer
  • Atli Óskar Fjalarsson
    Key Cast
    "Tóti"
    Two birds, Jitters, Sparrows, Operation Napoleon
  • Dagný Harðardóttir
    Key Cast
    "Fríða"
    Echo, How to be a Classy Tramp
  • Hákon Pálsson
    Cinematography
    No More Shall We Part, Nightwatch, Cariño, Whistle My Lad
  • Sigurður Kristinn Ómarsson
    Editing
  • Kári Jóhannsson
    Sound editing
  • Magni Freyr Þórisson
    Music
  • Project Type:
    Short
  • Runtime:
    6 minutes 35 seconds
  • Completion Date:
    January 8, 2024
  • Production Budget:
    7,300 USD
  • Country of Origin:
    Iceland
  • Country of Filming:
    Iceland
  • Language:
    Icelandic
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    No
Director Biography - Grétar Ice Jónsson

Grétar Ice Jónsson, an Icelandic filmmaker, graduated from the Icelandic Film School in 2018 as a director and producer. Immersed in production since, he's now returning to his original passion—creating and directing his own films.

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Director Statement

I wrote "Flowers" after my first visit to Laugaskarð swimming pool, instantly drawn to its potential as a key location.
The film delves into the quiet yet profound journey of Tóti, a character facing vulnerability and the courage to express his feelings. Set against Iceland's landscape, Tóti's story unfolds through meticulous visual storytelling and subtle emotional cues. The film captures Tóti's journey with carefully framed shots that highlight his determination.
At its heart is Tóti's encounter with Fríða at the swimming pool, where he confronts his desires. Through nuanced performances, we witness Tóti's awkward attempt to express his feelings, contrasting with Fríða's warmth. The choice of settings — from the city to mountain roads and the tranquil swimming pool — serves to underscore Tóti's internal journey.
As a director, my goal was to capture the universal feeling of vulnerability in moments like these. I've always been drawn to stories where the hero doesn't have everything figured out, navigating through life. This inspired the idea of exploring an imperfect attempt at wooing someone — a kind of success through failure.