Filmocracy Fest is an innovative film and media festival, bringing together the best of traditional festival events, while integrating unique digital programs to create a memorable and productive experience. Cofounded by Jon Fitzgerald former director of multiple prestigious festivals such as Slamdance, AFI, and Santa Barbara.

In addition to presenting creative programming options for audiences, feature filmmakers with ticketed events will all be earning a percentage of screening fees for their participation. Shorts filmmakers will be available for complimentary viewing in our On Demand Theater, open to registered users and passholders July 14 - July 17.

Founded on the basis of 4 key pillars (Discovery, Mentorship, Networking, Experience), the Festival will create opportunities for industry professionals and audiences to discover emerging voices in storytelling, while providing points of intersection between emerging talent and established veterans. Talent is the lifeblood of this industry and the festival aims to engage the creative community and support networking opportunities. In addition to the special events, the Festival will enable online audiences to participate through unique gamification programs, supported by the Filmocracy streaming platform.

Audiences will have the opportunity to Leave ratings & earn treasure chests filled with virtual currency (popcorn). They can customize avatars and earn prizes for their interactions.

We will combine online screenings and Q&As, digital experiences and unique networking opportunities for independent filmmakers and industry professionals. We will have a number of live events and filmmaker hubs. As the modern film festival experience is being reinvented, Filmocracy Fest endeavors to create an exciting and productive experience for filmmakers, industry and audiences alike.

The 2022 event will include a Marketplace for Works-in-Progress, providing an opportunity for filmmakers to include materials and rough cuts for industry professionals, financiers and distributors to consider.


Narrative Feature
Documentary Feature
Narrative Short
Documentary Short
Audience Award

Each submission must be accompanied by a submission fee paid in full and a working screener in order to be considered. Once we have all necessary materials, the submission will be marked “In Consideration”. It is the submitter’s responsibility to make sure that all submission requirements are met. If your film has not been listed “In Consideration” 7 business days after submission, please contact us to find out what is needed to move your film into consideration.

Press kits and cover letters are not required but are appreciated. If you wish to submit either, please attach it to your submission. DO NOT send hard copies to our office; they will be recycled.

All projects must be submitted via secure online screener - either as a password protected Vimeo link attached to your submission or uploaded directly to FilmFreeway. Online screeners must be available to stream; we do not accept any films that must be downloaded.

The submitter is responsible for ensuring that their screener link and password is active through at least December 31, 2020. In the event of a password or URL change after submitting, email us immediately. If we discover an error with the screener, we will attempt to email the submitter for an update. Failure to respond by the final submission deadline will result in disqualification without refund of submission fees.

All foreign-language films must be submitted with English subtitles. If we discover a foreign-language submission is missing subtitles.

In accordance with Seed&Spark’s “2020 Film Festival Survival Pledge” we are maintaining the completion date requirements of our previous submission cycle.
Therefore, any project that was completed on or after October 1, 2018 will be eligible for consideration for the 2020 Filmocracy Fest.

For more information on the pledge, please visit:

Works-in-progress are accepted with the following stipulations:
Incomplete projects must be clearly listed as such. Films should be marked as either a “Rough Cut” or “Work In Progress/WIP”. All incomplete materials or changes to be made should be clearly indicated (ex: temporary score, missing VFX, no color-correction) both in your cover letter and the film cut itself (ideally as a title card at the start of the film).

The submitter may update their screener up until the final deadline, as long as the link and password for the submission remains the same. Updated cuts must be accessible via your FilmFreeway account. We cannot accept updated cuts via email.
No updated cuts will be accepted after the final submission deadline: September 4, 2020.

All works selected must be available by November 31 for inclusion in the festival.
Upon acceptance into the 2020 FilmocracyFest, you grant FF the right to utilize an excerpt from your film for promotional purposes.

All accepted films will screen at least once during the festival, with the possibility of an encore screening for select films/shorts blocks when appropriate. All scheduling is purely at the discretion of the FF staff.

Flash drives will only be returned upon request, and local drives are pick-up only. We cannot return international flash drives, so we highly recommended sending them online. Flash drives left after a year will be recycled.

DCP capability is limited and dependent on the screening venue. DCP must be approved by the Print Traffic department after the schedule has been finalized. FF is not responsible for any shipping expenses of unapproved print formats.

Any kind of film exhibition (16/35/70mm) is rare and solely at the discretion of the programmer, venue capabilities and schedule allowances. It is not a format that can be guaranteed at the time of acceptance. If you choose to submit, it is best to assume that (if selected) a digital version would most likely be chosen for exhibition.

Schedule and screening venues are decided solely at the discretion of the programming staff, and FF cannot guarantee that any film will play in a DCP-capable theater. Please be prepared to have an alternate print format available. If approved for DCP, you must provide a backup format (such as Blu-ray or a digital file).

FilmocracyFest does not pay screening fees up front, but will pay the Filmmaker 35% of the ticket sales for their screenings (on and offline).

Overall Rating
  • Great Festival 🌀 Big thanks for selecting my film JUST LIKE WATER 🎬 Greetings from Greece 🇬🇷

    November 2022
  • Christina Zorich

    I loved this festival. I couldn’t attend in person but the online festival had terrific content!

    July 2022
  • Dennis Ford

    It was an honor to share our film: Firestorm ’77 The True Story of the Honda Canyon Fire, along with all the other great films at this most innovative and creative film festival.

    July 2022
  • Sonita Gale

    This is a proactive festival who again cares for film and film-makers. Nice to chat and meet some of the team along the way and also have connections to distributors. We were so proud to be awarded winner for this - thanks again lets hope this is the start of an amazing relationship ahead.

    July 2022
  • Dion Labriola

    An incredibly inviting and well-run festival. The venues, both in Downtown LA and Beverly Hills, were great, and we felt truly fortunate to be able to screen in person (right before Omicron came in and threw everything into the air again).

    February 2022