"Exactly, a Total Work of Art!"
The short film “Exactly, a Total Work of Art!”, based upon four weeks of multi-sited ethnographic research across three art establishments in Berlin, delves into the themes of loneliness, the artistic nature of the city, and art as a facilitator for community in a metropolitan centre of contemporary art. With the continuing rapid development of large urban environments like Berlin that contribute to what mass media has dubbed ‘The Loneliness Epidemic’, loneliness has come to pose a major threat to public health. However, in resisting this problem, artistic microcosms – like those centred in the film – have emerged to foster antithetical ways of living for its community members, and to produce community-centred-art that negates the idea of the ‘lone genius’. The layered nature of Berlin’s art scene, as explored through the visual representation of its palimpsest character, underscores the importance of open dialogue between creators, whilst highlighting community and interconnection as inherent qualities of artistic practice.
This short film subjects artistic microcosms where artists seek out and create safe havens, uniting communities through art production and display whilst combating the growing threat of loneliness. Through the creation of her first ethnographic film, Eilidh Gilmour uses the medium to both deepen relationships with her interlocutors through shared artistic practice, as well as to bring the ethnographic field to the viewer in an accessible and engaging way. The film comes to parallel the community-centred artistic practices it explores, embodying creativity, multi-sensory expression and the use of collaboration.
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Eilidh Georgina Mary GilmourDirector
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Project Title (Original Language):"Genau, ein Gesamtkunstwerk!"
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Project Type:Documentary, Experimental, Short, Student
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Genres:Student Ethnographic Film, Documentary, Short Film
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Runtime:18 minutes 7 seconds
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Completion Date:August 27, 2024
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Production Budget:1,430 GBP
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Country of Origin:United Kingdom
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Country of Filming:Germany
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Language:English
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Shooting Format:Digital
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Aspect Ratio:16.9
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:Yes - University of St. Andrews
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University of St AndrewsSt. Andrews, Scotland
United Kingdom
September 18, 2024
University Exam Board
Social Anthropology MRes Dissertation Prize
Eilidh Gilmour is a Scottish anthropologist and artist who recently completed her first ethnographic film as part of her MRes in Anthropology, Art and Perception at the University of St. Andrews. Her film “Exactly, a Total Work of Art!”, which explores community-centred art as a powerful tool for addressing the growing issue of loneliness in Berlin, was awarded the prize for the best dissertation and secured her a Master's with distinction.
Throughout her studies, Eilidh has conducted ethnographic research on a variety of art-based topics, including performance art, curation, and digital engagement with art. While working as an exhibition invigilator at the Venice Biennale, she conducted research on this major art festival and produced a dissertation called, ‘“Looking at People, Looking at Art” at the Venice Biennale’ (2023) which explores the themes of nationhood, decolonising the senses, and decontextualization of art. This work earned her a university prize and was displayed in the Scottish National Gallery of Modern Art alongside Alberta Whittle’s ‘create dangerously’ exhibition.
Her other projects include the projection installation ‘Come Sit With M.E.’ (2024) which addresses the lack of accessibility for disabled people in institutional settings, and an academic journal ‘Dundee Drag Goes Digital’ (2022) that examines the growth of the drag scene in Scotland.
The idea for this ethnographic film emerged from my own concerns about loneliness as a young adult who has repeatedly listened to friends recount their struggles to meet people and find communities in cities. I was struck by the countless articles I had read online regarding ‘The Loneliness Epidemic’, particularly affecting people in their 20s, like myself. Wanting to explore ways to combat this, I drew from my passion for art – both in its creation and appreciation – to see if the practice could bring together like-minded people through shared interests and goals.
This research journey was deeply inspiring and allowed me to bond with fellow artists. My camera equipment often acted as a bridge, signalling my role not just as an observer but as a fellow creator. As a disabled anthropologist facing long-term health issues, I’ve also become increasingly passionate about accessibility. This film represents my first effort to create an ethnography that reaches beyond my academic peers by using visual representation to make my research accessible, free of academic jargon, while bringing a rich sensory impression of the field to the audience.
So far, after the films’ recent completion, I’ve shared the film with friends, family, and my interlocutors who have thoroughly enjoyed developing their understanding of the discipline of anthropology and my research.