Evolution
This story aspires to the future of humanity by looking at human civilization from the perspective of 3.8 billion years of the evolution of life on earth. From amoebas, amphibians, quadrupeds, apes, monkeys, to humans... the evolution of life is depicted through pantomime. The human race, which appeared at the end of evolution, shifted to a life of gathering and hunting.
Starting with the "forbidden fruit", the wisdom of mankind evolved technology, which in turn evolved weapons one after another. Eventually, people started to take each other's weapons, kill each other, and finally, the atomic bomb was dropped.
By looking at humanity from the perspective of the evolution of life, this film depicts the "animalistic savagery" that humanity has yet to overcome.
The evolution of mankind has always been accompanied by the evolution of technology and the accompanying evolution of weapons. Today, humanity is on the verge of extinction due to new "forbidden fruits" such as nuclear weapons, genetic engineering, and artificial intelligence. Hacking, fake news, unmanned drones, bio-terrorism, etc. The dystopian world depicted in science fiction movies such as "The Matrix" is no longer the stuff of fantasy.
Will humanity repeat the same mistakes, or will we be able to overcome our karma and open a new era of freedom and peace?
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Nobumichi AsaiDirector
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Kyoichi Kita/Nobumichi AsaiWriter
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Nobumichi AsaiProducer
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Kyoichi KitaKey Cast
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Project Type:Short
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Runtime:12 minutes
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Completion Date:July 7, 2020
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Production Budget:100 USD
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Country of Origin:Japan
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Country of Filming:Japan
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Shooting Format:Digital 8K
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
Media Artist,Creative/Technical Director.
Graduated from Department of Science, Tohoku University.
He is globally famous media artist,acclaimed with face mapping for Lady Gaga at the Grammys 2016,INORI(Prayer) featuring AyaBambi.He has led the field of media art and projection mapping both nationally and internationally.
“Connected Colors” for Intel’s global campaign, the laser hologram “Light of Birth” exhibited at La Triennale di Milano and “Ghost in the Shell Virtual Reality Diver”,“OMOTE” and SMAP’s “FACE-HACKING”.
He is also invited to media art festivals over the world as a keynote speaker and a judge. His works challenge innovative visual arts by bringing advertisement, design and both ideas of art and programming together. Received Jury Selection in Japan Media Arts Festival, Grand Prize in VFX AWARD 2015,2017, Honorary Mention, Computer Animation/Film/VFX Award in Ars Electronica and many other awards, and so on.