Everything was singing

Giuliana is the protagonist of “Red Desert” (dir. Michelangelo Antonioni, 1964), her existential anxieties predicated on the industrial landscape she inhabits. For his first colour film, Antonioni literally painted scenes to correspond with Giuliana's psychology. Even those shots taken from a supposedly objective camera position are suffused with her phenomenological apprehension of her environment.

“Everything was singing” repurposes this footage to demonstrate how “Red Desert” represents a breakthrough in ecological thinking. Giuliana resists every attempt at erasure by making herself an integral part of the places she inhabits. She refracts landscapes both interior and exterior, transcending the extractive relationship to nature that dominates the film's imagery.

This piece can be presented in two ways. First, as a fixed video work as shown here. Second, on two contiguous screens for gallery presentation. This configuration creates a spatial dimension for the viewer that recodes the footage, heightening appreciation of its topological and choreographic nature.

The video is 16:9 aspect and 1080 HD resolution. The file uses the H.264 codec in an MP4 container. Duration is 13:18. The music has been repurposed from the original score by Vittorio Gelmetti.

Keywords: Michelangelo Antonioni, Red Desert, screendance, found footage, Monica Vitti

  • Robin Parmar
    Director
  • Project Type:
    Experimental, Short
  • Runtime:
    13 minutes 18 seconds
  • Completion Date:
    April 10, 2023
  • Production Budget:
    0 USD
  • Country of Origin:
    Ireland
  • Country of Filming:
    Italy
  • Language:
    English
  • Shooting Format:
    n/a
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Light Moves Festival
    Limerick
    Ireland
    November 9, 2023
    premiere
Director Biography - Robin Parmar

Robin Parmar is a media artist and researcher exploring the phenomenology of place and our relationship to nature. His cross-disciplinary practice includes electroacoustic composition, audiovisual installations, and experimental film. He has released thirteen albums, the most recent being Citalá, River of Stars (Silent Records, USA). The first edition of the handbook Listening to Places (Void Gallery, Derry, 2022) sold out immediately. Awards include the Invisible Places residency (2017) and an Arts Council Bursary (2017). He was selected for the national showcase Just Listening – Ireland Calling in 2011 (curated by the National Sculpture Factory) and was an invited artist at EVA International, Ireland’s Biennial of Contemporary Art in 2010 (curated by Elizabeth Hatz). Robin has a doctorate in Sonic Creativity from De Montfort University (Leicester, UK), directs a media programme at the University of Limerick (Ireland), and is on the board of the Irish Science, Sound, and Technology Association (ISSTA).

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