Everyone Writes Memoir
Upon returning home from a business trip, Mia confronts her partner, Daniel, about his troubling online dependency and the affect it is having on their relationship; stealing him away to a mediated electronic other world, oblivious to its consequences. But are they seeing each other clearly, or are they both trapped behind a display, living in a distorted version of their realities? Yet, during a heartfelt encounter, Mia will struggle with the weight of her own honesty as they fight a bitter realization about their relationship.
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Mark SolterDirectorTus, Fear Abides Nightly Glistens, The Moon Smells Like Gunpowder, Tin Matchbox Empty, Fear Up Harsh, Twins and Wives, 45rpm, Mangrove
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Alexander CampbellDirector45rpm, Mangrove
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Alexander CampbellWriter45rpm, Mangrove
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Alexander CampbellStory by45rpm, Mangrove
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Mark SolterStory byTus, Fear Abides Nightly Glistens, The Moon Smells Like Gunpowder, Tin Matchbox Empty, Fear Up Harsh, Twins and Wives, 45rpm, Mangrove
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Alexander CampbellProducer45rpm, Mangrove
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Mark SolterProducerTus, Fear Abides Nightly Glistens, The Moon Smells Like Gunpowder, Tin Matchbox Empty, Fear Up Harsh, Twins and Wives, 45rpm, Mangrove
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Gloria BlakeKey Cast"Mia"Loner, Renters, Darkest Light, Three Wise Cousins, Sione's 2: Unfinished Business
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Anthony CrumKey Cast"Daniel"The Lord of the Rings: The Rings of Power, Shortland Street, Foam, The Wilds, Krystal, Hush
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Norm SkippComposerThe Moon Smells Like Gunpowder
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Nicolas GarciaSound Recordist
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Ainsley Calderwood1st Assistant CameraChris & Eli's Porn Revolution, The Difference Between Pipi & Pupu, Edamame, The Brokenwood Mysteries, Mystic, Foam, Alice Snedden's Bad News, Power Rangers Ninja Steel, Darkness Light, Late, High School Girl's Ain't Pretty, Numb
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Mark SolterGafferTus, Fear Abides Nightly Glistens, The Moon Smells Like Gunpowder, Tin Matchbox Empty, Fear Up Harsh, Twins and Wives, 45rpm, Mangrove
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Andre SeidelKey Grip
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Maria FrenzelContinuity
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Elijah PenningtonRe-recording MixerHead High, Cousins, Baby Done, Reunion, Shortland Street, The Legend of Baron To'a, Ravage, Robert the Bruce, The Prodigy, Into the Dark, Short Poppies, The Broken Shore
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Alastair Tye SamsonColoristThe Lord of the Rings: The Fellowship of the Ring, Ghost Shark 2: Urban Jaws, Roundelay, Jake, Shut Eye, Don't Make Me Go, Lions Bones & Bullets, The Lion Queen, Forensics NZ
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Marilyn SolterFoley ArtistFear Abides, Nightly Glistens
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Daniel MinterProduction Assistant
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Mark SolterDirector of PhotographyTus, Fear Abides Nightly Glistens, The Moon Smells Like Gunpowder, Tin Matchbox Empty, Fear Up Harsh, Twins and Wives, 45rpm, Mangrove
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Mark SolterEdited byTus, Fear Abides Nightly Glistens, The Moon Smells Like Gunpowder, Tin Matchbox Empty, Fear Up Harsh, Twins and Wives, 45rpm, Mangrove
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Alexander CampbellEdited by45rpm, Mangrove
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Alexander CampbellProduction Designer45rpm, Mangrove
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Mark SolterSound DesignerTus, Fear Abides Nightly Glistens, The Moon Smells Like Gunpowder, Tin Matchbox Empty, Fear Up Harsh, Twins and Wives, 45rpm, Mangrove
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Project Type:Short
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Genres:Drama
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Runtime:36 minutes 32 seconds
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Completion Date:May 5, 2023
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Production Budget:5,000 NZD
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Country of Origin:New Zealand
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Country of Filming:New Zealand
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Language:English
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Golden State Film festivalLos Angeles
United States
February 24, 2024
Winner: Best Production Design -
London Global Film FestivalLondon
United Kingdom
May 4, 2024
Official Selection -
Salt House Creative International Film FestivalKincumber, NSW
Australia
August 17, 2024
Season 23
Winner: Best Short Film -
Salt House Creative International Film FestivalKincumber, NSW
Australia
August 17, 2024
Season 23
Winner: Best Director -
World of Film International Festival GlasgowGlasgow
United Kingdom
November 7, 2024
Finalist -
Fescilmar Festival - VenezuelaAnzoategui, Barcelona
Venezuela, Bolivarian Republic of
April 26, 2024
Official Selection
MARK SOLTER is a cinematographer and director working in narrative, commercial, and branded creative. Mark has collaborated on a number of autonomous films worldwide, including Tus, Fear Abides Nightly Glistens, The Moon Smells Like Gunpowder, Tin Matchbox Empty, Twins and Wives, Fear Up Harsh, .45 RPM, and Most People Think Other People Die.
A multiple film festival award winner, he is currently developing several scripted properties including Gentleman Crook, Or Current Resident, A Pen For The Blind In The Knife Drawer, Wolf of Seven Young, and Total State Machine.
marksolter.com
ALEXANDER CAMPBELL trained at the School of Fine Arts, Auckland University, New Zealand, MFA Hons., and the Drama Action Centre, Sydney, Australia. He has a broad range of experience as a director in the areas of documentary and dramatic filmmaking, mix media performance art, and experimental film. Alexander has also worked for many years as a professional actor, training and working both in Australasia and Europe.
He was the director of the visual art video production company, Constructur/list [production], NZ. 1990—94, producing media-artist work and producing and directing documentaries on the visual arts. He established the actors’ training organization, Act_World_Wide, in Paris, 2000—2005. He lectured at the School of Visual and Performing Arts at Charles Sturt University, NSW, Australia, teaching Directing for Film and TV, Screen Acting and Devising Theatre, 2008.
Everyone Writes Memoir, for me, became an experiment in a slower current when people grow apart and a behavior in the spirit of concealment ensues. Consequently, it was important to experiment in degrees of hiding and veiling, with a layering of time frames and allegory, to get to the heart of Daniel’s and Mia’s insolvent relationship. A bond tested by shifting expectations, the convenience of distraction, and a perception of self-awareness gutted through device dependency.
- Mark Solter
A background in theatre brings a preference for dramas that comment on current social concerns. Stylistically, the film goes some way toward a comparison to Kammerspiel and Bergman’s Chamber Films. As a visual artist, I have an attraction to the work of Caravaggio and chiaroscuro. Chiaroscuro to enhance volume and depth, deep contrasts, as in the candlelit scene, heighten a sense of drama and atmosphere and the use of the warmth and richness of colour to influence mood and physiological reactions. All in the endeavour to capture a sense of beauty even when dealing with sad and uncomfortable circumstances. On the edges, the unity of time and action are subverted, and a sense of uncertainty sits juxtaposed to the issue of Truth. The layering of references not only intend a diversity of impressions but encourage revisioning of the ideas put forward for debate within the script itself. The film concludes with Daniel confronted by his image in the darkened window. To see “through a glass” — a mirror — “darkly” is to have an obscure or imperfect vision of reality.
- Alexander Campbell