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The land of Romagna, Italy, told with a few simple words by a true Romagna grandmother ... Time that does not change the traditions of a country that tells its own story even through its own characteristic food.

  • Project Title (Original Language):
  • Project Type:
    Documentary, Experimental, Short
  • Runtime:
    3 minutes 58 seconds
  • Completion Date:
    September 12, 2019
  • Production Budget:
    10,000 USD
  • Country of Origin:
  • Country of Filming:
  • Language:
  • Shooting Format:
    Full HD
  • Aspect Ratio:
  • Film Color:
  • First-time Filmmaker:
  • Student Project:
Distribution Information
  • MediaCompany
    Country: Switzerland
    Rights: All Rights
Director Biography

Born in Verona in 1970, as a child he stands out in film and television curiosity, always following in the footsteps of his mother who is a master of art. During his adolescence he deepens the cine-tv and photographic themes, refining the taste and techniques helped by some local photography masters. After graduation, he attended a two-year course with Ermanno Olmi at the Bassano del Grappa school and then after graduating he specialized in TV productions for some Italian national newspapers. He founded MediaCompany in 1998, producing numerous formats for in-depth social and entertainment shows, including ZooTiVi broadcast on RomaUno SKY between 2009 and 2013. He later also accepted teaching in creative technical subjects at the University of Ferrara (2004-2008) that up to the present day at a high school. Among the awards received as an amateur in 1996 the Andersen Baia delle Favole Prize with the medium-length "Il Grande Fiume" and in 1997 the Massimo Troisi Award for directing the short film "Memoires". His productions are always elegant, never excessive or provocative, often almost aristocratic in the style that has always distinguished him, inspired by great masters such as Zeffirelli, DeSica, Antonioni, from whom he has drawn many arts of the trade already very young. The imprint of the master Olmi, however, remains important, especially in the search for photographic cleanliness and dynamic narration that he prefers to any other filmic grammar.

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