Duck Roast
Young immigrant in Finland tries to impress his date with a duck roast dinner, but things start breaking down along cultural lines, both in front of and behind the camera.
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Jelica JerinićDirector
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Jelica JerinićWriter
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Aleksandar MarkovićWriter
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Mete SasiogluProducer
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Kardo ShiwanKey Cast
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Leena PöystiKey Cast
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Anastasia TriznaKey Cast
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Juha-Pekka MikkolaKey Cast
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Roxana SadvokassovaKey Cast
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Christopher L. ThomasDirector of Photography
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Jussi SandhuEditor
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Tia HassinenProduction Design
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Tia HassinenCostume Design
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Noora-Maria RiitijokiMakeup Artist
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Silja NuotioMakeup Artist
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Iiris OrasmaaFirst Assistant Director
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Johanna K. LumiSecond Assistant Director
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Nelli HokkanenThird Assistant Director
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Jyri PirinenSound Recordist
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Samuli Ala-LahtiSound Recordist
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Jyri PirinenSound Design
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Otto FärmCamera and Electrical Department
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Aku HämäriCamera and Electrical Department
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Janne JääskeläinenCamera and Electrical Department
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Miska RämöCamera and Electrical Department
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Henri TonteriCamera and Electrical Department
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Reetta SomppiFirst Assistant Camera
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Khanh NgoSecond Assistant Camera
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Jussi MyllyniemiColorist
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Melisa YasavProduction Assistant
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Project Type:Short
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Runtime:12 minutes 33 seconds
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Completion Date:September 16, 2023
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Production Budget:85,000 EUR
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Country of Origin:Finland
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Country of Filming:Finland
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Language:English, Finnish
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Helsinki International Film FestivalHelsinki
Finland
September 16, 2023
National Premiere
National Competition Programme -
Küstendorf Film FestivalDrvengrad
Serbia
January 24, 2024
International Premiere
Official Selection -
MARTOVSKI - Belgrade Documentary and Short Film FestivalBelgrade
Serbia
March 30, 2024
Belgrade Premiere
Special Mention from the Jury -
BAFICI - Buenos Aires International Festival of Independent CinemaBuenos Aires
Argentina
April 22, 2024
Latin American Premiere
Official Selection -
International Documentary and Short Film Festival of KeralaKerala
India
July 27, 2024 -
Drim Short Film FestivalStruga
North Macedonia
August 10, 2024
North Macedonian Premiere -
Mladinski Filmski FestivalSkopje
North Macedonia
August 31, 2024 -
International Film Festival BRNO16Brno
Czech Republic
October 2, 2024
Official International Selection -
Filmski Front FestivalNovi Sad
Serbia
October 25, 2024
Official Selection -
International Short Film Festival of CyprusLimassol
Cyprus
October 12, 2024
Official Selection -
Braunschweig International Film FestivalBraunschweig
Germany
November 14, 2024
German Premiere
Official Selection -
exground film festWiesbaden
Germany
November 16, 2024 -
Valjevski Filmski SusretiValjevo
Serbia
December 15, 2024
Best Film Award
Distribution Information
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YLEDistributorCountry: FinlandRights: Free TV
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Raina FilmsSales AgentCountry: Finland
Jelica Jerinić is a Serbian-born and Helsinki-based filmmaker. She holds a BA and MA in Dramaturgy, from the Faculty of Dramatic Arts in Belgrade. She is an alumna of: Academy of Moving People and Images, Sarajevo Talents, European Short Pitch, EFM Fiction Toolbox Programme and Torino Film Lab. She has directed four short films: a documentary, "Girls Who Cut Their Hair Short", fiction films, "Dog Day" and "Duck Roast", and an 8mm docu-fiction, "Sweet Memories". She is currently developing a short fiction film "Imaginary Numbers", supported by Film Center Serbia, Croatian Audiovisual Centre and Creative Europe Media. She is a co-founder of a Helsinki based film collective "Film Tonight!".
"Duck Roast" is a story about trying to find appreciation in a foreign environment. The narrative of a nameless immigrant trying to woo a girl with an unusual dinner menu is a true story that I heard during my own 18 months of integration course to which I was sent after moving to Finland. The meta narrative, one of a director struggling to communicate her ideas, is based on real conversations I had while trying to pitch the former as a short film.
For some reason, the story resonated deeply with me, but ended up shocking or confusing everyone else I brought it to. I wanted to preserve some of that outrage, and combine it with Finnish-style deadpan acting and chaotic “film set within a film” situation. Immigrants in this film do experience difficulties, but they are faulty like everybody else, and literally in control of their own narrative.