DON'T TOUCH ANYTHNG
Leyla, a single mother viciously obsessed with order and tidiness, loses control at a gathering where one of the guests brings her little boy unannounced, leaving him to mess with the house symmetry.
Leyla takes a break from the living room’s chaos in the kitchen only to find out the boy is ruining her carefully prepared chocolate cake. Leyla foreacly cleans his hands after putting him up on the kitchen counter. In an attempt to free himself, the little boy falls out of the open window.
Leyla redesigns the cake to a new shape, wiping out any signs of the little boy’s existence from the kitchen. She then takes the cake to her guests
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Arghavan HeydareslamDirector
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Arghavan HeydareslamWriter
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Soroush HazratiProducer
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Arghavan HeidareslamProducer
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Marjan SadeghiKey Cast"Leila"
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Soroush HazratiDirector of Photography
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Soroush HazratiEditor
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Project Type:Short
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Genres:Drama
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Runtime:13 minutes
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Completion Date:September 26, 2019
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Production Budget:1,400 USD
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Country of Origin:Iran, Islamic Republic of
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Country of Filming:Iran, Islamic Republic of
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Language:Persian
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Shooting Format:.dng
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Aspect Ratio:1: 2.35
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:Yes
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Vienna shorts festivalVienna
Austria
Official selection -
Carrousel International du Film de RimouskiQuebec
Canada
Official Selection -
Tehran International Film FestivalTehran
Iran, Islamic Republic of
Official Selection -
Nahal short film festivalTehran
Iran, Islamic Republic of
won the Special Jury Prize
Distribution Information
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Soroush HazratiDistributorCountry: Iran, Islamic Republic ofRights: All Rights
Born in 1997, Arghavan Heydareslam is doing her final year in Film at Soore university of Tehran, Iran. She participated in directing workshops by renowned independent filmmaker Shahram Mokri and editing workshops by Haydeh Safiyari and Sepideh Abdolvahab.
Film has always been a complex medium to me. A medium that takes years and sometimes more than a lifetime for its potentials to be discovered by one. A concept that needs to be conveyed through sounds and images. A thing that is present in the room, can’t be seen but is felt. Hidden feelings that might not even be recognised by the film characters themselves. We experience something through a film that lasts as long as cinema’s lifetime but it could never exist before cinema’s birth. We can never be the characters but also cannot be outside of the film. A first hand experience, encountered through images and a sense of sympathy.
Perhaps my biggest drive for making “don’t touch anything” was to challenge this medium in order to convey an internal notion. An internal notion that impacts one’s surrounding gradually and makes the outside similar to the inside.