Don't Touch Anything
Leyla, a single mother viciously obsessed with order and tidiness, loses control at a gathering where one of the guests brings her little boy unannounced, leaving him to mess with the house symmetry.
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Arghavan HeydareslamDirector
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Arghavan HeydareslamWriter
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Soroush HazratiProducer
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Arghavan HeydareslamProducer
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Soroush HazratiEditors
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Arghavan HeydareslamEditors
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Sadaf Saleh IzadkhastSet and Costume Designer
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Rahime SarvariMake-Up
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Soroush HazratiDirector of Photography
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Hassan NajafiVisual Effect
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Amin EnteshariVisual Effect
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Hootan HaghshenasColor Correction
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Mohadese TeymooriSound Designer
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Pouria FarahaniSound Recordist
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Farbod ShahnazarFirst Assistant Director
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Reyhane JamiContinuity
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Hassan RasouliProgrammer
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Amin KomijaniPhotographer
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Narsa BohlouliFirst Assistant Camera
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Mahdad TafazoliSecond Assistant Camera
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Mehdi GhafooriAssistant Camera
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Amirhossein NourooziComposer
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Alireza NourooziMusician
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Kazem DaneshiProduction Manager
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Marjan SadeghiKey Cast"Leyla"
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Project Type:Short
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Runtime:12 minutes
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Completion Date:September 26, 2019
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Production Budget:1,400 USD
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Country of Origin:Iran, Islamic Republic of
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Country of Filming:Iran, Islamic Republic of
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Language:Persian
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Shooting Format:Cinema DNG
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Film Color:Color
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First-time Filmmaker:No
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Student Project:Yes
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17th VIS Vienna ShortsVienna
Austria
May 29, 2020
International Premier
International Competition -
16th Nahal International Student Short Film FestivalTehran
Iran, Islamic Republic of
June 13, 2019
National Premier
Jury Special Mention -
Carrousel international du film de RimouskiRimouski
Canada
May 15, 2020
North America
International Competition
Distribution Information
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Synesthesia FilmsRights: All Rights
Born in 1997, Arghavan Heydareslam is doing her final year in Film at Soore university of Tehran, Iran. She’s participated in directing workshops by renowned independent filmmaker Shahram Mokri and editing workshops by Haydeh Safiyari and Sepideh Abdolvahab. Her first short film “Don’t touch anything” won the Special Jury Prize in Nahal Short Film Festival.
Film has always been a complex medium to me. A medium that takes years and sometimes more than a lifetime for its potentials to be discovered by one. A concept that needs to be conveyed through sounds and images. A thing that is present in the room, can’t be seen but is felt. Hidden feelings that might not even be recognised by the film characters themselves. We experience something through a film that lasts as long as cinema’s lifetime but it could never exist before cinema’s birth. We can never be the characters but also cannot be outside of the film. A first hand experience, encountered through images and a sense of sympathy.
Perhaps my biggest drive for making “don’t touch anything” was to challenge this medium in order to convey an internal notion. An internal notion that impacts one’s surrounding gradually and makes the outside similar to the inside.