Private Project

Do Painters Die Elsewhere

Bolko is an 85-year-old painter, who faces childless death . His self-built home of 60 years slowly fades into the surrounding garden.

The film tells the love story of a couple struggling with cancer. Bolek uses a cassette recorder to retain Eve's voice and, after her death, uses it as a medium to keep in touch with the deceased.

Bolesław Gasiński is a mysterious figure from the suburban town of Laski - painter, sculptor, actor, eccentric. In 70’s His paintings were exhibited in France, Finland, Denmark, Bulgaria, Australia, Japan, Germany, the USA and at the Biennale in the Emirates. In the 1980s, Bolesław put aside the development of his career, the successes of which we learn about today only from documents left in his house, in order to devote himself entirely to his art and the love of his life - Eve.

In 2005, Ewa fell ill with cancer. Bolesław began recording audio diaries, at first to make Eve feel better. When Eve died, Bolesław did not stop recording, using the cassette recorder as a medium to continue to contact his dead beloved.

Bolesław’s emotional states enchanted in the cassettes, and his journey through coming to terms with Eve’s passing, lead us through the artist’s desolate home, providing an intimate emotional insight into the world of his painting.

„Do Painters Die Elsewhere” is an immersive, intimate love story portrait, guided by the artist’s life rather than a traditional biographical narrative. It does not follow a chronological retelling of a “great painter’s” life, nor does it rely on conventional talking-head interviews. Instead, the film draws us into an emotional mosaic, woven from archival materials that Bolko himself collected—artifacts that once gave him a sense of purpose in moments of doubt.

  • Michał Pietrak
    Director
  • Michał Pietrak
    Writer
  • Wiesław Łysakowski
    Producer
  • Michał Pietrak
    Producer
  • Project Type:
    Documentary
  • Runtime:
    1 hour 10 minutes
  • Completion Date:
    October 20, 2024
  • Production Budget:
    120,000 USD
  • Country of Origin:
    Poland
  • Country of Filming:
    Poland
  • Language:
    Polish
  • Shooting Format:
    ProRes 420
  • Aspect Ratio:
    16:9
  • Film Color:
    Black & White and Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    No
  • Doc Lab Poland - Development program - Cracow Film Festival
    Cracow
    Poland
    Doc Lab Go-Development Program
    IDF special Mention Award / Cafe Ole Sound reward
  • East Silver - Development program
    Prague
    Czech Republic
    East Silver Catalogue
  • Docs For Sale - Development Program - IDFA
    Amsterdam
    Netherlands
    Docs For Sale Catalogue
    IDF delegate
Director Biography - Michał Pietrak

Born in 2001. Currently studying painting at the Fine Arts Academy in Cracow. Graduated Warsaw Film Highschool and "Bohemian summer", directing workshop at Film Academy in Prague. .

Since 2018 organizing cultural events such as exhibitions, concerts, spectacles and happenings.
Awarded with "Źródło" Poetry award, Participant of poetry residences, published first poetry book named "Pańska Skórka".

In 2023, debuted as a theatre director, with "The Red Gate", a spectacle based on literature of Bogusław Choiński. The spectakle premiered at Modern Art Museum in Warsaw, at Polish-French coproducted exhibition "Anka Przypadkiem".
Leader Of "Przezrocza poetry Oficine", theatre/music/literature focused artistic group, based in Warsaw and Cracow.

Add Director Biography
Director Statement

I met Bolesław when I was 8 years old, and to this day, as a former student of painting, I still find traces of the magical impression Bolesław made on me at the time in my creative sensibility.
I started working on the film a week after Bolesław’s death, unable to accept that his work and his magical house would disappear unnoticed. For the past four years, I have been regularly staying in the artist’s home, not only working on the film, but also caring for it, looking after the fate of his works. It was thanks to the special bond with Bolek’s house that I was able to find the amazing archival material and autobiographical documents he left behind.

While working on the film, I was very much puzzled by the theme of the posthumous life of the artist in his artworks and how far this concept still fits with the beliefs of our time. I drew a lot of inspiration from Tadeusz Kantor’s theatre and his prose. I was particularly interested in the motif of the commodification of objects in which memories seem to live. The motif of archives, carriers of memories, grotesque containers in which we store what we don’t want to leave behind. The grotesque life of the house is reflected in the tapes on which 60 years of a person’s life is taped. My main goal was to fully immerse myself in the world created by Bolesław, while at the same time showing it ‘from the kitchen side’. I tried to avoid a biographical narrative, convincing the viewer of Bolek’s incredible talent and a pushy display of his work. Instead, I have tried to tell the story of Bolek in a way that is so sensitive and sensual that his presence could be felt in the film. I wanted to evoke his spirit.