On the train, I saw the moving scenery based on the movement of the vehicle and the actual speed. Suddenly thought of myself, sitting quietly in the space-time package of the vehicle, and transmitting to another place at a fixed speed. The virtual speed does not need to exist when real-time continues.
There is a gap between the speed in reflection and the speed in reality, which is out of order.
The "shadow matter" that does not shine on the light continually bursts in front of our eyes, facing the sudden speed, influx or detachment, chaos or flash, no lasting moment
Project Title (Original Language):移時風景
Project Type:Experimental, Short
Runtime:9 minutes 20 seconds
Completion Date:March 3, 2020
Production Budget:800 USD
Country of Origin:Macao
Country of Filming:France
Student Project:Yes - Royal College of Art
2021 Plate Space, Beijing, China （Solo)
2021 "Useless Class and Homo Deus's Lover", Being Space, ShangHai
2021 "Collective Exhibition of Macao Visual Arts 2020 ",Cultural Affairs Bureau, Macau
2021 "Redirecting", Tree Art Museum , Beijing, China
2019 "Artworks of Macao Artists", National Art Museum of China, Beijing, China
2019 "Objectless objects", SafeHouse, London （Solo)
2019 "Sisyphus", Hockney Gallery, Royal College of Art, London
2019 "What a Relief", CGP Gallery, London
2019 " Queuing on Stairs" , The Crypt Gallery, London
2018 "Autumn Salon", All for Art, Macau
2018 "Macau Annual Visual Arts Exhibition 2018", Cultural Affairs Bureau, Macau
2018 " Anomalous Forms" The Crypt Gallery, London
2018 "Double, Triple, Bubble", Hockney Gallery, Royal College of Art, London （Solo)
2017 "Autumn Salon", All for Art, Macau
2016 Macau Annual Visual Arts Exhibition 2016, Cultural Affairs Bureau, Macau
2016 International Women Artists' Association Exhibition of Fine Arts, Paris
Mei Teng Wong currently lives and works in Macau and London, after graduating with a Master's Drgree at Royal College of Art.
Her creation is based on the life experience of different cities, so as to observe her own culture and the contradictory and mysterious dialogues from the phenomenon in society. Through repeating “self-estrangement” behavior with various forms (painting, video, installation), she reiterate and reconstruct the pulse and reality by the withdrawal and practice of life elsewhere day after day, in order to interpret the dividing lines between people and the environment.