DISSONANT LINES (SHORT VERSION)


* FEATURED IN JANUARY 2023 ISSUE OF HOMOSURREALISM MAGAZINE**

‘Hypnotic’ ‘Painterly’ ‘Poetic’ ‘Building a narrative from the drawings’

‘DISSONANT LINES’ (2023) is the follow up to Lee Campbell's last silent animated film 'On Your Marks: Tension Lines (2020) which previously screened in a range of festivals and events including as part of a two-person exhibition at Sidewalk Video Gallery in Boston, USA in 2021 and recently at Global Fest 2022, Helsinki, Finland. Extending its predecessor, 'DISSONANT LINES' shows where lines and, this time, imagery come together and clash producing a creative disruption that leads to new images and lines being produced, borders dissolving and then reappearing. Clashing lines create new possibilities for redefinition.

In this film, the viewer gets to see the drawn pages being turned over, sparking intrigue as to what is over the page, underneath the page and on the flipside to the page being turned. The drawings were made by students at Wimbledon School of Art as part of an activity where Lee challenged the students to draw images conjuring up their ideas around the term 'collaboration'. They worked in groups and had only one pen per group. They were instructed to hold the pen together at the same time and move the pen together across the page to make the drawings.

Like 'On your Marks', this film employs digital green screen to create fleshy layers seeping underneath and being revealed, and other sets of imagery coming through. The lines that you can see were made in the physical world using marker pens and paper.
The resulting line drawings were then documented and filmed where the camera moved across the drawn paper. Now existing digitally, the drawings were then layered over one another and green screen processes were applied to create arresting tensions between the lines. The marks without sound makes you stop from thinking about the moment it was drawn and now put into a different space the viewer concentrates on the layers – all these tensions in the lines being made.

  • Lee Campbell
    Director
  • Project Type:
    Animation, Experimental, Short
  • Runtime:
    5 minutes
  • Completion Date:
    January 15, 2023
  • Country of Origin:
    United Kingdom
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Arcus Pride Art, Clifford Chance, curated by Michael Petry
    London
    United Kingdom
    June 22, 2023
  • Kino Short Film
    London
    February 12, 2023
  • Sidewalk Video Gallery screening
    Boston
    United States
    September 1, 2023
    Official Selection
Director Biography - Lee Campbell

Dr Lee Campbell is an artist, performance poet, experimental filmmaker, writer, Senior Lecturer at University of the Arts London (UAL) and curator/founder of Homo Humour, the first of its kind project on contemporary queer male film and moving image practices that explore humour and LGBTQ+ storytelling and has screened all over the world since 2020. He lives in London.
 
Lee burst onto the London contemporary art scene in 2000 when he was invited to exhibit in 'Beautiful' held at the Oxo Tower Wharf with artists including Turner Prize winners Mark Wallinger and Chris Ofili and others including Danny Rolph, Hew Locke, Tomoko Takahashi and Chantal Joffe. He has since exhibited his work internationally as well as curated many exhibitions around the world. His experimental performance poetry films have been selected for many international film festivals since 2019. 
 
In 2023, Lee's poetry film ‘Bears with Bananas and Bubbles in Their Boxers’ was a Finalist in The Artists Spoken Word Competition, NYC, USA and 'Rufus' won Best Animated Short at The Rooster Film Festival, Portland, USA. His film SEE ME: A Walk Through London’s Gay Soho 1994 and 2020 (2021) has won numerous accolades including winning Best Experimental Film at Ealing Film Festival, London 2022, shortlisted for BEST POETRY FILM at the Out-Spoken Poetry Prize 2023, Southbank Centre, London and receiving Honorable Mentions at Los Angeles Underground Film Forum and Experimental Forum, Los Angeles both in 2023. Other film accolades include his film ‘Apple of my Eye’ as finalist in the Deanna Tulley Multimedia Prize 2022 and an Honorable Mention for 'Let Rip: Teenage Scrapbook' at REELPOETRY INTERNATIONAL FESTIVAL 2023, Houston, Texas, USA and for 'Juniper Park' at Experimental Forum, Los Angeles in 2023.

Lee had his first solo exhibition in North America of his poetry films, See Me: Performance Poetry Films at Fountain Street, Boston, Massachusetts, U.S.A in July 2022 and a solo exhibition of poetry film, Bona Polari! at The Margate School, Margate and Wimbledon College of Arts Library, UAL in February 2022. In October 2023, Lee will have a solo retrospective of recent film work at Raun for Kunst, Paderborn in Germany.

Recent film screenings include: The Artists Spoken Word Competition, NYC, USA, Appalachian Queer Film Festival, Huntington, West Virginia, USA, Filmfest Paderborn, Paderborn, Germany, Squish Movie Camp, Rotterdam, Post Pxrn Film Festival, Warsaw, The West Virginia Mountaineer Short Film Festival, Morgantown, USA, Hacker Porn Film Festival, Italy, Brighton Rocks International Film Festival, Brighton, Hastings Rocks International Film Festival, Printworks, Hastings, New York City Independent Film Festival New York, TEASR Film Festival, Tucson, USA, The Rooster Film Festival, Portland, Oregon, USA, Lynchian Film Festival, Global Fest, Kino Club Helsinki with global Impro ensemble from The Sibelius Academy, University of the Arts Helsinki, Musiikkitalo Finland, Deanna Tulley Multimedia Prize 2022,Down East Flick Fest, North Carolina, USA, PFFB Porn Film Festival Berlin, Berlin, WIPE Film Festival, Berlin, Iris Prize LGBTQ+ Film Festival, Cardiff, Wales, Ealing Film Festival, London, Monologues and Poetry International Film Festival, CINEM’aMOSTr, Teatro Municipal de Vila do Conde, Porto, Portugal, VIDEOAKTION #3, Raum für drastische Maßnahmenm, Berlin, SECS FEST, Seattle, USA, Hombres Video Poetry Award (Finalist) for ‘SEE ME’, SlamContemporary, Italy, (de)construction,, Kino Club Helsinki, Finland, SF Queer Film Festival, San Francisco, CA, USA, Failed Films Season 5,Los Angeles, U.S.A, Feminist Border Arts Film Festival, New Mexico State University, U.S.A,TRANÅS AT THE FRINGE - International Screening of Experimental Films and Videopoems, Sweden, Post Pxrn Film Festival, Warsaw, Living with Buildings II, Coventry, REELpoetry/HoustonTX 2022 International Poetry Film Festival, The Football Art Prize, UK-touring exhibition to Touchstones Rochdale, Millennium Gallery, Sheffield and Sunderland Museum & Winter Gardens,NFSW Film Festival, Los Angeles, USA,Miami Performance International Festival, EdgeZones, Miami, FilmPride Brighton & Hove Pride's official LGBTQ+ film festival, Brighton, UK, Festival ECRÃ Edition 5, Rio de Janeiro, Brazil, Wicked Queer Film Festival, Boston, USA, Fisheye Film Festival, UK, Southampton Film Week, UK, The Gateway Film Festival, UK, STATES OF DESIRE: Tom of Finland in the Queer Imagination, Casa de Duende, Philadelphia, USA. Darkroom Film Festival, Deptford Cinema, London, The Gilbert Baker Film Festival, USA, HOMOGRAFÍA/HOMOGRAPHY, Brussels. Visions 2020 selected by Hetain Patel, The Nunnery, Bow Arts Trust, London, Porn Film Festival Vienna, Satyrs and Maenads: the Athens Porn Film Festival, SPLICE Film Festival, OUTStream Film Festival and Queerbee LGBT Film Festival.

Lee has been interviewed numerously about his current film/performance work including interviews on BBC Radio Ulster with WIlliam Crawley, BBC Radio Sussex and Surrey with Kathy Caton for Out with Kathy, KMTV (local Kent-based TV station) interview feature about Bona Polari! solo exhibition, interview with Jane Glennie, Moving Poems Magazine in July 2022, Daniel Hess for To Tony Productions, Tim Kirk, Matt Skallerud for I Love Gay Today/PinkMedia LGBT, Hamish Downie’s Five Questions With – Lee Campbell (March 2021) BBC Radio Kent- Interview with Dominic King for The Dominic King Show January 2021. His film work has received critical acclaim with recent review features of his film work by Francesca de Luca in Cut Frame Magazine and James Clark in Lost Creatives. In 2008, he was interviewed by Libby Purves for BBC Radio 4 where he discussed his solo performance for Whitstable Biennale that year. 
 
Lee’s poetry has received critical acclaim and was mentioned in a Summer 2022 edition of London’s Islington Tribune. His poem ‘Clever at Seeing without being Seen’ was recorded for Sometimes, The Revolution is Small, Disarm Hate x Poetry project by Nymphs & Thugs Recording Co. UK.Publications of his poetry include Hakara: A Bi-Lingual Journal of Creative Expression, The Atticus Review, Ink, Sweat and Tears, Untitled. Voices, Gob Jaw Anthology 2019-2022, Issue Two: Wasteland, Powders Press, Issue One: First Times, Powders Press, Otherwise, You Are Here - The Journal of Creative Geography, Queerlings – A Literary Magazine for Queer Writing, New Note Poetry, Streetcake Experimental Writing Magazine, The New Normal and Step Away Magazine. 
 
Lee has a long history of curating performance and fine art exhibitions internationally. For example, between 2005-2008, he curated All for Show, an internationally touring film showreel of emerging and established British moving image artists whose work exposed the banalities of everyday life through humour, self-introspection, and serious play. In 2020, Lee curated Radical Ventriloquism at Kelder, London. His most recent curation is Homo Humour which has screened at Metal, Southend-on-Sea, Open Eye Liverpool and FRISE, Hamburg, Germany in 2022 and forthcoming at Centre for Comedy Studies Research (CCSR), Brunel University. In October 2023, Lee curates Slang Bang in London  - a night of performance poetry contains spoken word slang. In January 2021, he curated a set of queer poetry evenings for BBC Radio. 

RECENT SELECTED AWARDS AND NOMINATIONS

2023 WINNER of Best Micro Short for 'The Colour of His Eyes', Under Appreciated Film Festival
2023 Semi-Finalist for 'Head Boy', Neum Underwater Film Festival, Neum, Bosnia  
2023 Finalist for ‘Bears with Bananas and Bubbles in Their Boxers’ The Artists Spoken Word Competition, NYC, USA
2023 Honorable Mention for 'SEE ME', Los Angeles Underground Film Forum, Los Angeles, USA  
2023 Honorable Mention for 'SEE ME' and 'Juniper Park', Experimental Forum, Los Angeles
2023 Shortlisted for BEST POETRY FILM for ‘SEE ME’, Out-Spoken Poetry Prize 2023, Southbank Centre, London
2023 WINNER of BEST ANIMATED SHORT for ‘Rufus’ at The Rooster Film Festival, Portland, USA
2023 Honorable Mention for 'Let Rip: Teenage Scrapbook' at REELPOETRY INTERNATIONAL FESTIVAL 2023,Houston, Texas, USA
2022 WINNER of BEST EXPERIMENTAL FILM for ‘SEE ME’, Ealing Film Festival, London
2022 Finalist for ‘Apple of My Eye’, Deanna Tulley Multimedia Prize 2022
2022 Finalist for ‘See Shells’, Drumshanbo Written Word Weekend Poetry Film Competition, Drumshanbo, Ireland
2022 Juan Downey International Contest (Finalist), Chile 
2022 Hombres Video Poetry Award (Finalist) for ‘SEE ME’, SlamContemporary, Italy  
2022 Finalist for ‘Rufus’, MicroMania Film Festival 2022, Buffalo, NY, USA
2022 Finalist for ‘The Perfect Crime: A Doggy Whodunnit’, Absurd Art House Film Festival 2022
2022 Finalist for ‘Reclaiming my Voice’, Vesuvius International Film Festival
2022 Honorable Special Mention Award, Athens International Monthly Art Film Festival
2021 Best Psychedelic Fantasy film winner for 'See Me' (2020), Retro Avant Garde Film Festival NYC 
2021 Semi-Finalist, Serbest International Film Festival 2021
2021 Honorable Mention, Splice Film Festival, New York
2021 Nominee for Best Original Concept and Best Atmosphere Independent Horror Movie Awards 2021
2021 Honorable Mention Award for 'See Me' (2020), Screener Short Films  
2021 Best Kent Film nominee for ‘Peer’ (2020), Margate Bookie Film Festival
2021 Honorable Special Mention Award, Athens International Monthly Art Film Festival
2020 Semi-Finalist (3rd place winner), Splice Film Festival, New York
2019 Special Mention Award, London-Worldwide Comedy Short Film Festival
 

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Director Statement

The imagery you can see was made by students at Wimbledon College of Arts, London as part of a workshop I delivered. In groups of 8/9, students were invited to draw images conjuring up their ideas around the term 'collaboration'. They only had one pen per group. I instructed them to hold the pen together at the same time and move the pen together across the page to make the drawings. They were then instructed to complexify the process at different stages, e.g. .with one person instructing and the others with their eyes closed. The resulting drawings are about the dynamics of a group and who controls the pen - who leads? What happens when the drawing goes in directions that a group member may not like? Here is documentation from a previous iteration as part of a book launch (mine) at London College of Communication: https://youtu.be/ VicPYPwzCfc so you can see the process in action. I made a short silent animation from these drawings called ‘On Your Marks’ https://filmfreeway.com/ONYOURMARKSTENSIONLNES