Crimson Horizon
A man's course changes. A ship leaves the port.
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Andigoni BitsikokouDirectorCyber-Ex, Men's Talk
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Andigoni BitsikokouWriterCyber-Ex, Men's Talk, Family Break-up shoes
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Vangelis MageirosKey Cast
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Vaggelis Galatas1st assistant director
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Pavlos Kapsalis1st assistant director
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Marios ParadisisDOP
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Marina PiniatorouProduction designer
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Alexandros FeredinosEditor
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Andigoni BitsikokouProducer
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Christos GoussiosSound Design & Mix
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Enes Achmet KechagiaFoley
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George PantsiosFoley
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Project Title (Original Language):Πορφυρός Ορίζοντας
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Project Type:Short
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Genres:Social Drama, experimental
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Runtime:7 minutes 23 seconds
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Completion Date:June 30, 2024
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Country of Origin:Greece
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Country of Filming:Greece
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Language:No Dialogue
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
Andigoni Bitsikokou studied Film Directing at Metropolitan College and Theatre Studies at the University of Peloponnese. Since 2021, she has been directing and writing scripts for short films. Her student film, Cyber-Ex, won three awards and garnered several selections at both international and national festivals. In 2022, she directed the short film Men's Talk. She has also worked as an editor and, in 2019, founded the independent theatre group "The Grains.
The film was prompted by the tragedy that took place on early September at the port of Piraeus, Greece, when Antonis attempted to board the ferry in Piraeus as it was preparing to depart for Crete. He arrived late, but, having a ticket, tried to access the ramp just as the ship was leaving. As he tried to get on, two members of the crew forcefully pushed him back multiple times instead of allowing him to board. After their final push, Antonis fell into the sea between the ship and the dock. The ferry continued its course, leaving Antonis behind to drown in the water.
The film has two protagonists: Antonis and the water. Not knowing what’s ahead of him, Antonis is preparing for a trip that should have been routine. He goes through the daily activities, cooking and taking bath and the shadow of the upcoming tragedy is always there.
Yet, the film is considerably more than a man's routine disrupted by sudden events. The water is not only a setting but a character in its own right: silent, always present, and unpredictable. It is at once companion and omen, determining Antonis's fate.
The underlying message in this movie was to stir reflection on the value that society gives to human life and the prevalent indifference with which we are inclined to treat it.
It is through the metaphor of Antoni's relationship with water-so essential yet so deadly-that tension between survival and negligence, urgency and apathy is dramatized.
By the end, the film will have taken Antonis's story as an invitation into the broader implications of a society that is indifferent to human suffering, questioning the viewer about how rarely we acknowledge the fragility of life.