Experiencing Interruptions?

Conversations on a Crosstown Algorithm

An immersive 3D-animation, centers around a conversation between two characters, Samantha & Olda Wiser. The two, sheer strangers when the play starts, slowly but surely dive into each other’s life stories, traumata, dreams, and nightmares, at times mirrored others counteracted by changing oneiric surroundings. Drawing on psycho-analytical motives the dialogue soon reveals itself as one part of a larger systemic virus.

  • Doireann O'Malley
    Director
  • Doireann O'Malley
    Writer
  • Juan Carlos Cuadrado
    Writer
  • Mathea Hoffmann
    Writer
  • Doireann O'Malley
    Producer
  • Mathea Hoffmann
    Key Cast
  • Bertrand Flanet
    Animation
  • Simone Mine Koza
    Animation
  • Lugh O'Neil
    Sound Design
  • Caroline McCarthy
    Music
  • Project Type:
    Animation
  • Genres:
    Sci-fi, Dystopian, 3D
  • Runtime:
    50 minutes
  • Completion Date:
    August 15, 2023
  • Production Budget:
    26,000 EUR
  • Country of Origin:
    Germany
  • Country of Filming:
    Germany
  • Language:
    English
  • Shooting Format:
    3D Animation
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
Director Biography - Doireann O'Malley

Doireann O’Malley (born 1981 in Limerick, IE) is a multidisciplinary artist based in Berlin. Their research-led practice unites collaborative methodologies, healing and reparative movement, writing, and theory, with a strong technological emphasis on new media, virtual Reality, 3D and film installation.

O’Malley holds an MFA from University of Ulster in Belfast, UK. From 2021- 2022 held the position of Professor of Gender & Space at Akademie der bildenden Künste Wien. They were a research fellow at the Berliner Förderprogramm Künstlerische Forschung (2020-2021) and a participant of the BPA// Berlin programme for artists (2019-2020). They acted as a guest mentor on the The Live Arts MA / AdBK Nuremberg (2001)

Their exhibitions, talks and screenings have been presented at IMMA, Dublin, IE; Art Institute, Basel, CH; Biennale Zielona Góra, PL; Goethe-Institut Montreal, CA; Goethe-Institut, NY, USA; Neuer Berliner Kunstverein (n.b.k.), Berlin, DE; National Sculpture Factory/Cork Film Festival, Cork, IE; Göteborg International Biennial for Contemporary Art, SE; Rencontres Internationales, Forum des Archives, Paris, FR & HKW, Berlin, DE; Mumok Kino, Vienna, AT; Dublin City Gallery, Dublin, IE; KW Institute for Contemporary Art, Berlin, DE; Berlin Art Prize, 2018, Berlin, DE; Edith-Russ-Haus für Medienkunst, Oldenburg, DE.

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Director Statement

At a time of overlapping crises, Conversations on a Crosstown Algorithm invites to reconsider the relationship between nature and technology by looking into new forms of queer subjectivity and their entanglements with data economy, artificial intelligence, and identity politics. With references to surveillance architectures and computational networks, the scene is predominantly set in a virtual chatroom, reminiscent of an abandoned data centre, or an empty casino, in which the queer protagonists seem to find themselves trapped. Mimicking archetypical spaces for accumulation and reward through systems of conditioning and reinforcement, the setting calls into question psychological disorders and malfunctioning processes which the desiring machines of capitalism only accelerate. Where is the exit, what is waiting outside, if there is an any?