Clouds from south/南方有云

While we were working on the project, the area was in the middle stage of the ruins and new landscapes that had not been implemented. We experienced all the processes of surrounding buildings and scenery from collapse to leveling, and recorded the process with images. Image becomes the dual carrier of processing space and time, and only images can be realized. When we put ourselves in the ruins of the vast ruins and the transformational actions around us, people's thinking about reality can only be passive acceptance. The time and space we live in is about to be filled with new landscapes. What do these images give us the meaning of living in this era? When images replace text as the mainstream mainstream reading method, how do we face the image? The space in the image, in an era of high-speed operation, residents and workers are using their own hands to repeat the work of instructions, turning their creations into new landscapes in the city, and at the same time, in order to view these landscapes. consumption. Behind the southern landscape is a series of flesh that is rushing for a living. They are concentrated in this area in the south, and everyone can't see the overall scenery.

In terms of time, Guangzhou is the most complete metropolitan city in terms of historical and humanistic preservation. Every detail of it reveals traces of history. The villagers’ worship of the ancestors and the traveller’s thoughts on the hometown of the other places, only the South will integrate the emotion and its material scenery so thoroughly. Human life is also time, time is an emotional substance, and the only thing that can be preserved by images. In an era in which desire can be justified, we see every soul that is lacking. In the age of image domination, matter is always scarce.