Private Project

Chorus Girl

Romantic songs say that impossible love is love at his best.
What if a hair dryer falled in love with the Chorus Girl who owns it ? How far would it go for her ?
At last, all the truth about the assassination of the famous french Singer Claude François.

  • Thomas Rio
    Director
    Hsu Ji behind the screen
  • Thomas Rio
    Writer
    Hsu Ji behind the screen
  • Thomas Rio
    Producer
  • Berthelier Elise
    Key Cast
    "Camelia"
    Un triomphe ; Hsu Ji behind the screen
  • Aubert fenoy
    Key Cast
    "le journaliste"
    Marguerite
  • Serge da Silva
    Key Cast
    "Cloclo"
  • Jeanne Guillot
    IMAGE
    Hsu Ji behind the screen
  • JULIEN KOHLER
    MUSIC
  • Gillardeaux Frank
    SOUND MIX
  • Thomas Rio
    ANIMATION
    Hsu Ji behind the screen
  • Project Title (Original Language):
    Moulinex libère la femme
  • Project Type:
    Animation, Music Video, Short
  • Runtime:
    11 minutes 49 seconds
  • Completion Date:
    December 1, 2020
  • Production Budget:
    2,000 USD
  • Country of Origin:
    France
  • Country of Filming:
    Croatia, France
  • Language:
    French
  • Shooting Format:
    Digital
  • Aspect Ratio:
    2.35
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Indy Film Fest
    Indiannapolis
    United States
    April 30, 2021
    American premiere
    official selection
  • Bremen film Festival
    Bremen
    Germany
    March 30, 2021
    World premiere
Director Biography - Thomas Rio

Born in 1977 just like punk music, Thomas Rio studied screenwriting at La fémis, graduating in 2003. Since then, he has been writing for some (Le bureau des légendes, The son of the olive merchant, Sous terre) and directed short films (Hsu ji behind the screen).
He is currently writing a 10 X 22 ‘ serie aimed for teens with Astharté & Cie : The Freewheeling.
He works also on an animated feature film project : little people on the walls.

Add Director Biography
Director Statement

Chorus Girl is a comedy, with a little fantasy in it : objects have their own life.
It chooses to walk on the funny side of the street in order to deal with difficult issues such as sexism towards womens in pop music and the constant growth of objects in our lives.
What if, instead of spying us for Amazon, autonomous objets were really free ? They'd be able to live... to love... to kill ?