Brilliant A
Brilliant A (2022) shares the history of how the pitch “A:440Hz,” was set for tuning most modern instruments in orchestras and how the pitch has been set continually upwards due to human auditory preferences for “brighter sounds” in Europe and the US.
The work further reconstructs the speculative moment when the standard pitch A was introduced in Korea. The delivery process of a piano is recreated based on historical materials from the early 20th century that recorded the first piano that was brought to the city of Daegu by an American missionary.
The piano’s arrival ushered in significant modifications to the theories and tastes of sound instilled in Koreans’ auditory perceptions at the time, triggering the various acoustic collisions that arose as the ear for traditional music gave way to the ear for Western sounds. Through this recreation, the work explores the symbolic significance of the Western piano that brought in the pitch “A” into Korean society.
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YoungEun KimDirector
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YoungEun KimWriter
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Bonggu ParkProducer
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Jiwon LeeProducer
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Sigu LeeKey Cast
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David CardonaCinematographer
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Eugene KimMusic Arrangement
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Nam Yoon KimSound Mixing and Effect
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YoungEun KimEditing
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YoungEun KimSound Design
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Soohee YunField Recording
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Project Type:Experimental, Short
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Runtime:16 minutes 56 seconds
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Completion Date:July 8, 2022
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Country of Origin:Korea, Republic of
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Country of Filming:Korea, Republic of
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Language:English, Korean
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Shooting Format:Digital
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Aspect Ratio:1.85:1
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Frames of Sound [Solo Exhibition]Seoul
Korea, Republic of
July 8, 2022
World Premiere -
Jecheon International Music & Film FestivalJecheon
Korea, Republic of
August 11, 2023
Official Competition - Korean Short Winner -
Image Forum FestivalTokyo
Japan
September 30, 2023
International Premiere
Official Selection - East Asian Experimental Competition -
Ji.hlava International Documentary Film FestivalJihlava
Czech Republic
October 9, 2023
European Premiere
Official Selection - Short Joy competition
YoungEun Kim’s work examines the history of sound, focusing on how the history of modernization and colonialism has shaped our aural perception centering around Asia and the Asian diasporic community. She studied Art at Hongik University and the Korea National University of Arts, Sonology at the Royal Conservatory of the Hague in the Netherlands. She was an artist-in-residence at Rijksakademie van beeldende kunsten in Amsterdam and is currently pursuing a Ph.D. in Film and Digital Media at the University of California, Santa Cruz. Her work has been shown at the Museum of Fine Arts Bern, Switzerland; Samsung Museum of Art, Korea; National Museum of Modern and Contemporary Art, Korea; Los Angeles Municipal Art Gallery, USA; and many others. She has been awarded at Prix Ars Electronica and SongEun Art Award.
I was interested in examining the meaning of the piano in modern Korea, not only as a sounding object but also as a discoursively loaded object in which culture and politics intersect.