** OUR THIRD YEAR**

I don't know about you but we're all ready for the "I SURVIVED 2020" t-shirts!

***ALL GENRES WELCOME!***

****New Covid19 category for all those works you kept busy with during quarantine! (including online content)****

*****Film Narratives = Dramas, Comedies, Mysteries, LGBT or ANYTHING not covered under the other categories******

When it comes to film festivals they all claim to be different. But, well, we’re different! We’re perhaps the first film festival to look ahead at what artists will accomplish instead of behind at what they’ve already done. With that in mind we’re planning one or more dedicated networking sessions, we’re inviting speakers who should be of interest to content producers and we’re even hoping to book an acting workshop. It’s all designed to leave you with more than you came with! **UPDATE** Covid19 restrictions will not allow us to hold any workshops or panels in 2020. Or parties/networking.

FEATURE FILM AWARDS
Best Picture

SHORT AWARDS
Best Documentary
Best Narrative Short
Best Animation
Best Performer
Best Music Video

SCREENWRITING COMPETITION
Best Screenplay

We reserve the right to alter/delete/amend these rules as we see necessary, and to allow exceptions when & where we deem it appropriate, without penalty to any qualifying work.

We reserve the right to add or remove categories at no penalty to qualifying works previously submitted.

We reserve the right to move selections from one category to another as we see fit.

DUE TO COVID19 RESTRICTIONS seating may be limited. We are only able to offer a complimentary pass to a filmmaker whose work we have selected for screening, and we're going to have to ask filmmakers to RSVP any sessions they would like to attend.

We reserve the right to add judging categories.

All films will be judged in regards to the genre they were submitted to.

We are an all volunteer staff organized under the wing of a 501(c)(3) nonprofit. Our expenses run into the thousands. Please don't ask for fee waivers.

Prize amounts reflect total value and may or may not include cash, gifts or trophies.

All works should include a title screen. We may be screening films back to back and the audience should know when one ends and another begins.

Online screeners are permitted for submissions.

All works selected for inclusion within the festival should be available as something other than DCP files. Not all theaters are equipped to play DCP files, especially the independent venues, so there's a strong possibility that we will never be able to screen them. If you're unsure on what format you should make your film available on, please ask.

Once selections are announced filmmakers must make a screening copy available to the festival within two weeks or it will be re classified as an un-screened selection or disqualified.

Content that glorifies or advocate hate or violence will not be permitted. This includes bigotry of all kinds such as racism, homophobia and religious intolerance.

All subjects/genres are welcome except pornography, in which we including NC-17. We do not accept pornography!

We highly recommend that films in something other than the English language be dubbed or be available with subtitles.

BEFORE SUBMITTING, if there is any question about your works qualifications or if you need an exception to any rule (film length, for example), contact us FIRST, before you submit! Otherwise, we will not refund the submission fees for unqualified entries. So, check with us first if there is any doubt. You may be asked to make your work available to us.

Permissible works include features, film narratives, documentaries, animation and internet content and even music videos.

Internet content would be any video produced specifically for viewing over the internet. This would include webisodes, How To videos, Vlogs or short films.

Works could be produced at any time. There is no date restriction on works.

Because we accept web content, and to keep things fair, there is no premiere status requirement on any work. It's okay if your work has been publicly displayed.

Anyone is free to submit works for festival screenings without restrictions but, any submission from a member of the festival’s staff will be excluded from consideration for awards.

The number of screenings, days and venues is at the sole discretion of the Festival. Publicized venues are subject to change so check for updates!

Works produced by people under 18 years of age must be submitted by an authorized representative (parent/etc.) 18 years of age or older.

By submitting a film a person is certifying that they have every legal right to the work, that they are either the copyright holder or legally represent the copyright holder of the work and that all content (dialogue, music, etc) is either original to the work or that they have obtained all rights and clearances. The submitter agrees to assume all responsibility for damages resulting from the public display of the work, including but not limited to all legal fees associated with copyright infringement claims or contract disputes.

DO NOT use FedEx, UPS or any carrier other than the postal service to ship entries or other materials to our PO Box. The USPS will not deliver materials from private shipping firms to a Post Office box.

DVDs, videos, drives and other materials submitted to the festival become the property of the festival and will not be returned.

Mailed inquires/submissions must include the film representative’s name, the title of the film, any tracking or identification number and all pertinent contact info including physical mailing address. Don't confuse us! The more information you give the less likely we'll be wondering who sent it.

Final selection of films should take place no more than six weeks prior to the festival, assuming you got your entry in before then. If you entered on an extended late deadline then give us another two weeks at least.

Once an entry payment has been processed we cannot provide a refund. If a payment is disputed the applicant may be subject to any fees.

AGAIN, if there is any doubt as to whether your work qualifies or if you need an exception, ask FIRST, before you submit! Otherwise, once your entry/payment is processed it will not be refunded. You may have to make your film/video available to us in order to answer your question.

Overall Rating
Quality
Value
Communication
Hospitality
Networking
  • Haddon Kime

    Highly recommended. John McGuinness and the whole SO team really cares about helping film makers and giving our films a great venue in which to be experienced. Wasn't able to attend this year because of COVID-19, but I heard nothing but great things from my friends in Boston that were able to attend.

    November 2020
  • Honoured that my short film "Bucky" was an Official Selections!
    Top notch pleasantness and excellent communication and ...!

    November 2020
  • Cameron Johanning

    Grassroots festival with a lot of upward potential. Strange year, but they made the most of it and made me feel welcome as one of two filmmakers to attend our screening block.

    November 2020
  • Kristin Herby

    Although I wasn’t able to attend the Screaming Ostrich Film Festival in person, it looked like a fabulous event. The communication was great and I received a lovely certificate in the mail. I hope to attend next year with a new film.

    November 2020
  • Katharina Dietl

    It was an honor to have my film screened at the festival. Unfortunately I couldn't make it due to Corona and the long distance.

    November 2020