**WELCOME TO OUR SECOND YEAR**

***ALL GENRES WELCOME!***

****New Covid19 category for all those works you kept busy with during quarantine! (online content welcome)****

*****We are scheduled for October 22-25! We've already booked three large venues and nobody has even hinted at cancelling. Our biggest concern is how much they might limit seating, not that they'll close us down.*****

Imagine a slate of all horror shorts being screened at a genuinely haunted theater, right before Halloween...

Nothing is final until the ink dries on the contracts but right now we have a Rock Opera (short) with a Rocky Horror style live review AND we've booked a haunted theater, just waiting for scary shorts. And that's just two sessions with more to follow!

When it comes to film festivals they all claim to be different. But, well, we’re different! We’re perhaps the first film festival to look ahead at what artists will accomplish instead of behind at what they’ve already done. With that in mind we’re planning one or more dedicated networking sessions, we’re inviting speakers who should be of interest to content producers and we’re even hoping to book an acting workshop. It’s all designed to leave you with more than you came with!

Best Documentary, Best Film (Narrative), Best Web Media, Best Performer, Best music video

We reserve the right to alter/delete/amend these rules as we see necessary, and to allow exceptions when & where we deem it appropriate, without penalty to any qualifying work.

As far as exceptions go, we will be the most flexible/lenient with documentaries.

We reserve the right to add or remove categories at no penalty to qualifying works previously submitted.

All filmmakers submitting works are entitled to two (2) Filmmaker passes. Additional Filmmaker passes are available at extra cost.

We reserve the right to add judging categories.

Although we do occasionally offer fee waivers, paid submissions must take priority over works which have had their fees waived.

Prize amounts reflect total value and may or may not include cash, gifts or trophies.

All works should include a title screen. We may be screening films back to back and the audience must know when one ends and another begins.

We will only screen shorts.

Online screeners are permitted for submissions.

All works selected for inclusion within the festival should be available as something other than DCP files. We'll take MOV or MP4s or even DVD or Blu-ray to ensure compatibility with any venue, but no DCP files please. If you're not sure, feel free to ask!

Works that glorify or advocate hate or violence will not be permitted. This includes bigotry of all kinds such as racism, homophobia and religious intolerance.

All subjects/genres are welcome except pornography, in which we including NC-17. We do not accept pornography!

Works of any language are accepted though we recommend English subtitles.

BEFORE SUBMITTING, if there is any question about your works qualifications or if you need an exception to any rule (film length, for example), contact us FIRST, before you submit! Otherwise, we will not refund the submission fees for unqualified entries. So, check with us first if there is any doubt. You may be asked to make your work available to us.

Permissible works include film narratives, documentaries, animation and internet content and even music videos.

Internet content would be any video produced specifically for viewing over the internet. This would include webisodes, How To videos, Vlogs or short films.

Works could be produced at any time. There is no date restriction on works.

Because we accept web content, and to keep things fair, there is no premiere status requirement on any work. It's okay if your work has been publicly displayed.

Anyone is free to submit works for festival screenings without restrictions but, any submission from a member of the festival’s staff will be excluded from consideration for awards.

The number of screenings, days and venues is at the sole discretion of the Festival. Publicized venues are subject to change so check for updates!

Works produced by people under 18 years of age must be submitted by an authorized representative (parent/etc.) 18 years of age or older.

By submitting a film a person is certifying that they have every legal right to the work, that they are either the copyright holder or legally represent the copyright holder of the work and that all content (dialogue, music, etc) is either original to the work or that they have obtained all rights and clearances. The submitter agrees to assume all responsibility for damages resulting from the public display of the work, including but not limited to all legal fees associated with copyright infringement claims or contract disputes.

DO NOT use FedEx, UPS or any carrier other than the postal service to ship entries or other materials to our PO Box. The USPS will not deliver materials from private shipping firms to a Post Office box.

DVDs, videos, drives and other materials submitted to the festival become the property of the festival and will not be returned.

Mailed inquires/submissions must include the film representative’s name, the title of the film, any tracking or identification number and all pertinent contact info including physical mailing address. Don't confuse us! The more information you give the less likely we'll be wondering who sent it.

Final selection of films should take place no more than one month prior to the festival, assuming you got your entry in before then. If you entered on an extended late deadline then give us another two weeks at least.

Once an entry payment has been processed we cannot provide a refund. If a payment is disputed the applicant may be subject to any fees.

AGAIN, if there is any doubt as to whether your work qualifies or if you need an exception, ask FIRST, before you submit! Otherwise, once your entry/payment is processed it will not be refunded. You may have to make your film/video available to us in order to answer your question.

Overall Rating
Quality
Value
Communication
Hospitality
Networking
  • Beantown Statie Production Company

    Such a great fun film festival, Well organized and we own for best narrative , the trophy was so amazing!!

    January 2020
  • Chet Turner

    A wonderful event.... Real emphasis on filmmakers

    November 2019
  • Brendan Egan

    Love this festival!!! Definitely worth the entry fee!! Tori, John, and Ned are the best!! Honored to have won Best Guerilla Film and Future Perfect Award for my film "The Lost Boy".

    October 2019
  • James O'Brien

    Solid inaugural event. Saturday evening was well attended and the content was strong overall. Worth it and recommended: a good team doing good work, this one.

    October 2019
  • Julie Land

    Well organized for a first year festival. Great event and all around fun.

    October 2019