We live in a late-capitalist hellscape, a stupefied dystopia in which art must be monetized and entertainment is algorithmically generated for maximizing the return on the shareholders' investment. Hollywood and the streaming giants churn out a ceaseless, undifferentiated mass of comfortable billion-dollar tentpoles while this generation's most talented creators die slow deaths of the soul, whiling away their lives in cubicles or call centers or — the highest hope for a filmmaker right now — using their talents to add glisten to cheeseburger commercials or remove the pimples from celebrities' foreheads in promo reels.

In this nightmare world, though, there are still some outsiders out there, street-level weirdos who shed their blood, sweat, and tears to make movies from from deep down inside their ancient lizard brains — no focus testing, no market research, just their pure lizard-brain subconscious vomiting out raw, inaccessible, zero-quadrant anomalies with warts and rough edges and miserable profit potential, and cacophonous throbbing hearts, cinematic abominations that stand in glorious, delirious tribute to the human urge to just f#@king MAKE SOMETHING!

BizarroLand welcomes these beautiful weirdos with open arms.

The Representation Discount

BizarroLand encourages weirdo filmmakers from historically excluded communities — including (but not limited to) women filmmakers, LGBTQ+ filmmakers, BIPOC filmmakers, and disabled filmmakers — to submit their work at a 25% discount. Email stephen@demonskull.org for the code.

The crown jewel of the BizarroLand Film Festival is the Sickie. Originally designed by Brad Bailey and thenceforth sculpted and hand painted by Orlando artists Paul and Debra Berg, the Sickie is the coveted totem of excellence in cinematic weirdness. Thirteen Sickies are given out each year in categories celebrating stand-out achievements in bizarreness, including the Mink Stole Award for the most brain-searingly unforgettable performance and the Weirdest Boner Award for the most unsettlingly sexy scene. Attendees will choose the Audience Favorite Award for both features and shorts, and then finally, there are the most desperately, feverishly desired of all: the Pink Tentacle and the Golden Tentacle, which are only awarded to the short and feature films (respectively) that best exemplify the spirit of BizarroLand.

SUBMISSIONS CONTAINING UNSIMULATED ANIMAL HARM WILL BE DISQUALIFIED.

BizarroLand accepts submissions exclusively through FilmFreeway.

By submitting your film for consideration, you acknowledge and agree that:

1. You have read and understood all the rules and terms and do fully comply with them.
2. Your film is not subject to any litigation, nor is it threatened by any litigation.
3. You possess all the necessary rights to submit your film to the festival (including the full rights to the use all of the music in the film).
4. You indemnify and hold harmless the BizarroLand Film Festival as well as its directors, judges, and sponsors and anyone affiliated with the festival of any and all claims, liabilities, losses, damages, and expenses (including but not limited to attorney’s fees and costs of the court) that may be incurred by reason of any claim involving copyright, trademark, credits, publicity, screening, and loss of or damage to the screening film entered, or any other claim resulting from your entry.
5. You grant the BizarroLand Film Festival the right to use any still images or excerpts from the film, as well as any titles, written copy, and/or other information included with the film submission, for promotional purposes for the duration of the festival year as well as the future. (You may rescind permission for inclusion in future years’ promotion at any time by contacting the festival director.)
6. You give permission for the BizarroLand Film Festival to screen the film at the 2025 BizarroLand Film Festival or any promotional or press events leading up to the 2025 BizarroLand Film Festival.

Overall Rating
Quality
Value
Communication
Hospitality
Networking
  • Stephen and Jen curate an incredible experience that's absolutely worth the submission fee. I couldn't be more grateful to have attended the festival this last December with my feature. The programming slate was full of diverse and subversive selections, showcasing a glorious range of "bizarre" films. It was incredible to be included with so many talented filmmakers, and I enjoyed getting to meet everyone at the various filmmaker events!

    January 2025
  • Gage Eggleston

    Had an excellent time at Bizarroland 24. Really strong lineup of films shown in a high-quality theater, intimate feel with lots of networking. Stephen and his wife put on a great festival that celebrates an underserved niche of bizarre genre films that have trouble finding success at more traditional, stuffy fests. I'll definitely be back next year!

    December 2024
  • Aaron Dalla Villa

    Bizarroland is peerless - tightly curated and gracefully run, with a kooky, maximalist sensibility all its own. The passion with which it is operated is matched only by the passion of the filmmakers it attracts. Stephen is a true-blue champion of the outré, and the One Man Army team thanks him for making our year!

    December 2024
  • Joe Pellegrino

    BIzarroLand is one of the coolest and most rewarding festivals I have ever experienced. The programming is very thoughtful, the promotion and communication is consistent, the networking opportunities are just right for the size of the event and you feel cared for every step of the way. I will always submit my work to BizarroLand - and I couldn't recommend it more.

    December 2024
  • Christopher Bickel

    Excellent, well-curated festival with an emphasis on community. Great communication and hospitality.

    December 2024