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Beyond The Frozen Expanse - Starting Aspen Otis

A quiet reflection on connection, distance, and the stillness of winter in Atlantic Canada. In just under two minutes, Beyond the Frozen Expanse captures a fleeting moment as a young woman, Aspen Otis (my beautiful talented girlfriend) , launches a drone into the sky—her gaze following it across the frozen coastline.

Interwoven with original poetry and set against a stark winter soundscape, the film explores the tension between letting go and holding on.

  • Michael James Eves
    Director
  • Aspen Deirdre Otis
    Key Cast
  • Project Type:
    Short
  • Runtime:
    2 minutes 9 seconds
  • Completion Date:
    January 29, 2025
  • Production Budget:
    0 USD
  • Country of Origin:
    Canada
  • Country of Filming:
    Canada
  • Language:
    English
  • Shooting Format:
    Digital – Panasonic BGH1
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    Yes - Holland College
Director Biography - Michael James Eves

Michael J. Eves is a filmmaker and visual artist Charlottetown PEI, originally from the UK. With a background in VFX compositing and a passion for quiet, emotionally-driven storytelling, Michael explores themes of memory, isolation, and connection through both experimental and narrative film. He is currently a student at Holland College in Prince Edward Island, where he created Beyond the Frozen Expanse as part of his filmmaking studies. This is his first festival submission as a writer-director.

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Director Statement

Beyond the Frozen Expanse began as a simple visual project—but became something more personal. Filmed along a quiet stretch of coastline in Prince Edward Island, the film reflects on memory, distance, and the emotional landscapes we carry with us.
The location holds personal meaning to me—it’s a place connected to shared moments. The poem featured in the film was written during a time of emotional transition, and the imagery became a way to express what I couldn’t fully articulate out loud.
Though it's only two minutes long, I hope it invites the viewer to pause, breathe, and reflect on the spaces—and the people—we leave behind.
— Michael J. Eves