Believe Me
In this contemporary take on the classic fable “The Boy Who Cried Wolf,” a man finds himself bored with his job — and decides to amuse himself by playing pranks on his coworkers, only to find that they may be disinclined to believe him when their trust is most critical.
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William R. CoughlanDirectorThe Greater Evil, Tex: Wisdom of the Old West, Number One With a Bullet
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Barry GribbleWriterCodeword Secret, Buddy Jackson, Tryst, The Conspiracist, The Kumbio Takedown
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Lee PernaProducerThe Greater Evil, Tex: Wisdom of the Old West, The Rest of Your Life
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Brian Mac IanKey Cast
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Jean Hudson MillerKey Cast
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Keith WatersKey Cast
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Carol Lampman McCaffreyKey Cast
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Brooks TeglerKey Cast
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Hugh HillKey Cast
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Anna CoughlanKey Cast
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Project Type:Short
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Genres:Comedy, Fable, Dark Comedy
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Runtime:6 minutes 47 seconds
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Completion Date:July 16, 2017
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Production Budget:800 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:Digital
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Aspect Ratio:2.40:1
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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48 Hour Film ProjectRichmond, VA
United States
July 22, 2017
World Premiere -
Movie Night at the Evening Star CafeAlexandria, Virginia
United States
February 25, 2018
Official Selection -
Ocean City Film FestivalOcean City, Maryland
United States
March 10, 2018
Maryland Premiere
Official Selection -
Indiana Comic Con Film FestivalIndianapolis, Indiana
United States
March 31, 2018
Indiana Premiere
Nominee: Best Narrative -
Maryland International Film Festival - HagerstownHagerstown, Maryland
United States
April 28, 2018
Official Selection -
San Francisco Comic Con Film FestivalSan Francisco, California
United States
June 9, 2018
California Premiere
Official Selection -
Atlanta Comic Con Film FestivalAtlanta, Georgia
United States
July 14, 2018
Georgia Premiere
Nominee: Best Narrative -
Tampa Bay Comic Con Film FestivalTampa, Florida
United States
August 4, 2018
Florida Premiere
Nominee: Best Narrative -
Michigan Comic Con Film FestivalDetroit, Michigan
United States
August 18, 2018
Michigan Premiere
Nominee: Best Narrative -
Comedy World Network Film FestivalLas Vegas, Nevada
United States
December 1, 2018
Nevada Premiere
Semi-Finalist
William R. Coughlan is an award-winning screenwriter and director, and founder and CEO of independent video production company Tohubohu Productions, LLC. He worked for several years with The Advisory Board Company (and its offshoot companies, CEB and EAB) in Washington, D.C., where he began as a graphic designer before creating a full-service in-house video and multimedia department, and then eventually moving into the ranks of creative department management. In addition, he is the Associate Artistic Director of Jabberwocky Audio Theater, and served for several years on the Board of Directors for TIVA, the Television, Internet, and Video Association of DC, Inc., filling the roles of Treasurer and Vice President before finishing his tenure as President. He also enjoys acting, voiceover performance, design and illustration, editing, animation, and writing autobiographical comments in the third person. He is the illustrator of the therapeutic workbook Stories for Children with Problems & Wishes, has provided schematic graphics for several HBS case studies, designed the acclaimed Protégé clay poker chip line, served as the Critic at Large for the online literary magazine Inkblots, has been a judge for both the TIVA Peer Awards and the Emmy Awards, founded and co-hosted the long-running Tohubohu Producer Podcast, and is an accomplished animator and ambigram artist. He currently resides at a secret compound in Northern Virginia.
For “Believe Me,” our goal was simply to craft a darkly comedic, contemporary interpretation of a classic fable — in this case, “The Boy Who Cried Wolf.” In doing so, we made a clear distinction between the conventions of a fable versus those of a fairy tale — so no imaginary magical world or overt good-versus-evil conflict (both hallmarks of the fairy tale), and a clear “moral truth” conveyed by the story (and explicitly stated at the end). For example, during production we ended up changing the initially scripted “Once upon a time” opening — even though we knew audiences would likely be expecting it — as that wording is characteristic of fairy tales, not fables. And while we did put a humorous twist on the tale’s moral lesson, we did not set out to make an explicitly political film — though it was frequently interpreted as such. From the moment our actors read the script, up through the viewer reactions to the finished film, people noted explicit connections to the unfortunate current political climate — one in which flagrant lying is rewarded, even celebrated. So I suppose the moral of this story might be that whatever the intentions of the screenwriter (in this case, the extraordinarily talented Barry Gribble), or the creative guidance of the director, the ultimate interpretation of the finished work inevitably rests with the audience.