Battle of Gaman
In the Battle of Gaman, you carry your demons on your back. It is a place between realities where you will do anything to take back control. Set in an art exhibition space, coloured with kabuki, tigers, and sequinned bikinis. This film is reminiscence of the theatre of the unexpected, as it queers’ discourse and bends time.
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Auryn RottenDirector
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Auryn RottenProducer
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Marie WerrettKey Cast"Exhibition Goer"
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Michelle KeatingKey Cast"Gallery Attendant"
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Ingrid DieckmannKey Cast"Doppel"
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Auryn RottenKey Cast
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Joaquim Bel PellicerCinematographer
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Nate MartinCinematographer
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Project Type:Experimental, Short, Student
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Genres:Underground
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Runtime:6 minutes 36 seconds
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Completion Date:October 25, 2021
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Production Budget:9,000 AUD
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Country of Origin:Australia
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Country of Filming:Australia
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Language:English
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Shooting Format:RED and C300
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:Yes - SAE Institute
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LA Underground Film Forum (LAUFF)Los Angeles
United States
July 9, 2022
World Premiere
Official Selection -
Sydney Underground Film FestivalSydney
Australia
September 10, 2022
National Premiere
Homebaked, Runners Up Audience Choice -
FilmHaus BerlinBerlin
Germany
November 25, 2022
Online program
Finalist -
Seattle Film FestivalSeattle
United States
September 30, 2022
Online program
Nominee -
Indie Filmmaker AwardsLos Angeles
United States
December 30, 2022
Winner 'Best Student Director' -
Independent Shorts AwardsLos Angeles
United States
November 20, 2021
'Gold - Experimental', 'Honourable Mention - Director', 'Bronze - Sound Design'
Auryn Rotten is a Director-Producer based in Naarm (Melbourne), Australia. She has recently completed her Master of Creative Industries with SAE Qantm by submission of the film, Battle of Gaman, and accompanying exegesis in performance autoethnographic research. Her films are designed as experiences that blur the lines between artist, audience and artwork. Following an exploration of intersubjectivity throughout her work. Auryn creatively produces under the name, Chic.Xu.Lub, where she will continue to develop her projects in exhibition spaces, and in arthouse and queer cinema.
This is a film about an internal battle, a waging of war with yourself. It depicts a long journey of a slow death: a visualisation of life after sexual trauma, a desire for a path through the pain. It speaks to the ambivalent nature of self-harm, as punishment, as catharsis, as moralistically reprehensible to outsiders - until you are inside the nightmare looking out. As such, Battle of Gaman artistically explores trauma-informed coping mechanisms as a means of critiquing the dominant pathologising discourses of self-harm. This film intends to contribute to a critical counter-discourses around the potential of self-harm as a relief-seeking practice, one that should be able to be talked about without the shadow of pathologising shame. The value of this work is in its ability to empathise with people’s internal battles, while identifying that they are also happening out of sight. By bringing this subject matter to the screen, this work aims to prompt dialogue in shared experiences.