Bandi
The therapist, an elderly woman, claims that her mother resurrected a young boy named Rustam 60 years ago through the method of " Band Baz Kardan" " Rope Opening", and that their work is right. Doctors are opposed and the woman is trying to prove her claim. We examine the clauses from the point of view of themselves, the people, the doctors, the opponents, and the pros, and in the end, it is left to the viewers' judge.
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Jalil ShariatifarDirector
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Jalil ShariatifarWriter
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Jalil ShariatifarProducer
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Athena Mosleh MemariKey Cast
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Hashem HassaniKey Cast
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Shahab MohammadiKey Cast
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Hoda TeymouripouKey Cast
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Mahmoud NamaghiDirector Of Photographer
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Jalil ShariatifarDirector Of Photographer
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Jalil ShariatifarEdit
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Jalil ShariatifarResearcher
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Amir NematiSound Engineer
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Milad ZangiFinal Music
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Project Title (Original Language):بندی
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Project Type:Documentary, Feature
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Genres:Documentary
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Runtime:40 minutes
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Completion Date:January 16, 2021
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Production Budget:1,000 USD
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Country of Origin:Iran, Islamic Republic of
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Country of Filming:Iran, Islamic Republic of
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Language:Persian
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
Distribution Information
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Mohsen FarajollahiDistributorCountry: WorldwideRights: All Rights
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Shahab FarajollahiDistributorCountry: WorldwideRights: All Rights
Jalil Shariati was born in October 1987 in Mashhad. He entered the photography vocational highschool in Mashhad in 2003 and studied photography for two years. At the same time, he got to know cinema and this led him to the Mashhad Young Cinema Association, where he gained some experiences in the field of short films. There, his first short film called " Scale" was presented in 2005 then he went to military service. After 17 months of service in the army, in Iran - Iraq border ; he returned to Mashhad and prepared for the University Entrance Exam in the field of art. In 2009 he was accepted to Tonekabon University in the field of Theater Directing. He gained a lot of experience in writing plays, directing, and theater performances during his 4 years of studies there. Little by little he found out that his interest in cinema is more than theater. At the same time he made his movie called " A gift for you ", and three short films for the 100 Second Film Festival and then he went to Ziarat village, where he made a documentary called "Pirderakht" The Old Tree" ( in 2011 ). After completing his undergraduate studies, he immigrated to Tehran, where he began his career as an assistant in stage costumes for several films and series and continued his career as an assistant director in television and cinema. At the same time based on the experiences gained there he made a documentary called "Charkhe Bazar" " Market Wheel" which described Tehran market cart drivers narrations in 2015 and after a while, he prepared a documentary episodic which described the dreams of children of primary schools in different districts of Tehran. And he is going to make the second part of it within 15 years. Then he directed his next film called" Hayat Khalvat" "Backyard.". And after that, he returned to Mashhad and made another short film called "Enma" in 2017 in Mashhad and after that, he involved in a fictional documentary which completed 3 years later and at the present time he is working on writing his next film.
Director's Filmography:
Short film. (for you)
documentary film. (Lady)
Documentary. (Old Tree)
Documentary. (mart cart)
Short film. (The Lonely being)
short film. ( Enma )
Documentary film. (Bandi)
I made this film to reveal a hidden truth around me. The poverty of the people around me. When their illness is severe, their pain doubles, one is the pain of poverty and the other is the incurable pain! Why do people go to a place where neither the law nor the medical system allows it. Are people fleeing the law or aware of the lies they have been told! The capitalist system, which has invested heavily in medicine and has a lot of influence in decision-making, does not allow what does not benefit them to reach their true identity. I did my best to expose this hidden identity lost in the medical capitalist system, although in this way to be able to throw stones until the project is completed, I became more and more convinced that this documentary is worth fighting for. And spend my life on it. But in the meantime, my problem was not only the medical system but also some people who were suffering and distrustful of anything. Like Rustam, who has made me waiting for him for two years to ask him the key question of the film, whether it is true that he escaped from death at a young age or it is a lie! And this fact is still unknown.