Experiencing Interruptions?

"Why, Father?"

People who have passed away in a barrio in Isabela are left and right. Still, Amang, a native of Ilocano, noticed that their tradition seemed to have disappeared among the people — the funeral procession. This pushed him to pass on the tradition to Balong, his only son.

  • Migo Morales
    Director
  • Migo Morales
    Writer
  • Gabby de Guzman
    Producer
  • Patrick Pangan
    Producer
  • Vic Romano
    Key Cast
    "Amang"
  • Sharon Ceneta
    Key Cast
    "Inang "
  • Mar-ian Ejandra
    Key Cast
    "Mimong"
  • Allen Pangilinan
    Key Cast
    "Balong"
  • Rem Carreon
    Assistant Director
  • Neal Patrick
    Assistant Director
  • Janella Garner
    Script Continuity Supervisor
  • Alyssa Camille Sy
    Production Associates
  • Jasper Tan
    Production Associates
  • Angelika Tafalla
    Production Manager
  • Julia Laplana
    Casting Director and Talent Coordinator
  • Sydney Roxas
    Cinematographer
  • Anna Valmeo
    Camera Operator
  • Jarod Arevalo
    1st Assistant Camera
  • Robert Pareja
    Gaffer
  • Jasper Tan
    Sound Recordist
  • Patrick Pangan
    Sound Recordist
  • Drink Rivera
    Production Designer
  • Mar-ian Ejandra
    Art Director
  • Lei Sardea
    Props Master
  • Mike Cabarles
    Wardrobe Designer and Supervisor
  • Gem Orphilla
    Hair and Makeup Artists
  • Jazelle Cacatian
    Hair and Makeup Artists
  • Patrick Pangan
    Master Editor
  • Bam Panaligan
    Colorist
  • JD Mardo
    Sound Designer
  • Dom Collantes
    Musical Scorer
  • Mar-ian Ejandra
    Film Poster Artist
  • Project Title (Original Language):
    Bakit, Papa?
  • Project Type:
    Short, Student
  • Runtime:
    19 minutes 39 seconds
  • Completion Date:
    May 1, 2023
  • Production Budget:
    90,000 PHP
  • Country of Origin:
    Philippines
  • Country of Filming:
    Philippines
  • Language:
    Tagalog
  • Shooting Format:
    Digital
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    Yes - Far Eastern University Manila
  • Sinepiyu XV
    Manila
    Philippines
    May 6, 2023
    School Premiere
    Finalist, Best Editing, Audience Choice Award, 2nd Best Film, Best Female Performance
  • Sa Bawat Siwang, May Bahaghari: Screening of Queer Films
    Quezon City
    Philippines
    June 17, 2023
    Pride Month Premiere
    Featured Screening
  • Piling Obrang Vidyo XX
    Quezon City
    Philippines
    July 3, 2024
    Film Festival Premiere
    Official Selection, Best Film, Best Screenplay
  • Rolyo: Pelikulang Bikolnon | Rigmat Arts and Culture Festival
    Naga City
    Philippines
    August 17, 2024
    Rural Premiere
    Showcase Screening
  • 12th Active Vista Human Rights Festival: FRAMES
    Quezon City
    Philippines
    September 26, 2024
    Limited Theatrical
    Official Selection, Best Director
Director Biography - Migo Morales

Migo Morales is a 23-year-old queer filmmaker from Quezon City, Philippines. A Communication Arts graduate from Far Eastern University Manila, he specializes in Digital Cinema. Migo's films, such as "Embrace of Blossoms" (Ang Pag-akap ng Talulot sa Kapunuan) in 2019, "Tero-tero-te-te-tero" (2020), and "Calvary of Persecution" (Calvario de Persecución) in 2022, explore the multifaceted human experience, from the mundane to the profound. Beyond filmmaking, he is an all-rounder — a key creative individual, assistant director, and oftentimes, a production designer.

Add Director Biography
Director Statement

Our rich culture, beliefs, and traditions have their roots in our indigenous ancestors. Over time, many of these have gradually faded away, one of which is the traditional Ilocano practice of dung-aw. This film aims to introduce and document the current state of this unique form of eulogy.

I was introduced to dung-aw at a very young age. I often witnessed people weeping and delivering messages at funerals and cemeteries, but this particular eulogy was unique—the message was sung to the deceased. Whenever I witnessed a dung-aw, I felt a mix of emotions: fear due to the strange melody and sound of the dung-aw, sincerity in the message, and a strange amusement that I couldn’t quite explain. Over time, I noticed that the tradition was slowly disappearing, becoming a subject of mockery among the younger generation of Ilocanos. It is disheartening to think of it as a dying tradition.

There came a time when I no longer saw or heard dung-aw at funerals in our province. This prompted me to develop the concept for "Bakit Papa?". I wanted to introduce the audience to the unique and rich tradition of Ilocano funerals, which is a stark contrast to the modern eulogies we have today, and to highlight the painful reality that this sacred tradition is slowly fading away and becoming a subject of ridicule.

As a queer, I have also experienced the exhausting nature of societal norms, particularly from my father. It felt like a significant part of myself was being buried, a loss I had mourned for a long time. However, I am now gradually unearthing these aspects of myself and my identity that were buried by those around me and the people I love. Through this story, I want to portray my experience of how my father buried my sexuality and how an Ilocano identity was forcibly imposed on the character of Balong.