Bunker Theory

Hélène Taddei Lawson
Trained in jazz dance, theater and singing in Nice at the Off Jazz studio then at La Victorine, Hélène Taddei Lawson developed a career as a performer from 1986. She dances for the companies of Reney Deshauteurs, Wayne Barbaste, Géraldine Armstrong, Miguel Lopez, dances in cabaret and learns hip hop dance with Sodapop. From 1994 to 1998, she choreographed in Lyon for Cie Artmouv'in Saïlence with projects such as the 1st parade of the biennale or the 1st Encounters of Urban Cultures in La Villette. In Bastia, she founded the Cie Art Mouv'in 1998 with the sound designer Tommy Lawson. Their pieces and choreographic projects are presented in Corsica, on the national territory and abroad. She approaches the image with the director Stéphane Broc and conceives with him choreographic fictions. In partnership with the city of Bastia, she created the festival Plateforme Danse which is in its 14th edition. A committed artist, she trains young dancers, gives choreographic workshops to children and adults, and participates in projects in schools and in the context of city politics. She participates in the training of students of the faculty of Corte -Corsica. She holds a PhD in Cognitive Psychology and a State Diploma in Contemporary Dance.

Stéphane Broc
Videographer and musician, winner of the program of European nurseries for young artists in 2000, Stéphane Broc regularly collaborates with choreographers, visual artists and musicians: the collectif Woosh'ing in Brussels since 1998, the choreographers Cécile Loyer for the film Raymond au paradis presented at the Centre Georges Pompidou and Louise Vaneste for Sie Kommen in 2005, Maryse Delente for La cloche de verre in 2008. With the visual artist Vincent Epplay, he realizes installations and performances, including Video Sound effect in 2005 at FIPA in Biarritz, Resumption of the relief effect at the Transpalette festival in Bourges, Switching network / frame at CPAC in Bordeaux in 2006 ... Since 2013, he has been designing video creations for operas: Orpheus in the Underworld at the Berne Opera House, Les Indes Galantes and Le Nijinsky's diary at the Bordeaux Opera. He has been working with the Collectif AMZL since 2002: videos for choreographic pieces (The butterfly effect, Dreams ...), short films (Ultimate Hora, Bunker Theory ...), installations (Untitled, Synchro city...) Stéphane Broc works for many years with choreographic artists, around a common research on the language of the gesture and a writing movement.