Assigned Female at Birth, Pilot
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Lyralen KayeDirectorTriangles Are More Interesting
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Lyralen KayeDirectorSaint John the Divine in Iowa, Teaser
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Lyralen KayeWriterCharlaine
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Lyralen KayeWriterTriangles Are More Interesting
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Lyralen KayeWriterRun from Fire
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Lyralen KayeWriterSaint John the Divine in Iowa
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Lyralen KayeProducerTriangles Are More Interesting
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Jennifer LanierKey Cast"Makayla"Leverage, Grimm, Hawaii
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Carrie GibsonKey Cast"Phyllis"Superstore, Scream Queens, Grey's Anatomy, LuciferBones,
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Tina D'EliaKey Cast"Sofia"Sense 8, The Pursuit of Happyness, Sex Sent Me to the Slammer
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Jamie BlackKey Cast"Carl"Gaff It Girls, Super Freak
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Lyralen KayeKey Cast"Daire"27 Dresses, Abe and Phil's Last Poker Game, The Naturals
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MJ BirdKey Cast"Zander"Rosalie
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Project Type:Web / New Media
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Genres:dramedy, LGBTQ, Feminist
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Runtime:10 minutes 25 seconds
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Completion Date:October 25, 2020
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Production Budget:20,000 USD
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Country of Origin:United States
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Country of Filming:United States
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Shooting Format:1080p
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
Lyralen Kaye, AFTRA/SAG, received their MFA Theatre from Sarah Lawrence College in 2002, where they trained in directing for the first time, focusing on devised theatre. Their directing credits include (among others), the short film Triangles Are More Interesting, the teaser for Saint John the Divine in Iowa…and in theater, Prom—devised theatre, co-directed with Weylin Symes, Artistic Director of Stoneham Theatre, Rescue, Lemon Zinger, Measuring Matthew, An Illuminating History of the Theft and Burial of the Bones of Mr. Waterhouse Hawkins (devised theatre, AD to the fabulous Dan Hurlin), Female Geriatric Zombies Unite and Subzero. Lyralen is the winner of the Best in Fringe San Francisco (2018), the Writers Lab funded by Meryl Streep (2015), the Moth (2017), the Boston Story Slam (2017), the Stanley and Eleanor Lipkin Prize in Playwriting (2002), was a finalist for the Massachusetts Council of the Arts Awards in Playwriting (2005), was nominated for a Pushcart Prize in Fiction (1997), was a finalist for the Black List Women in Film (2018), for the Half the World Literati in Screenwriting (2016), Roy W. Dean Awards in Screenwriting (2011) and a semi-finalist for the Women’s Work Film and Play Awards (2011) as well as winning the Boston Amazon Poetry Slam Finals. They combined their expertise in devising work with remote filming techniques to create Assigned Female at Birth, a Web Series about Some Bodies.
Given the circumstances of the pandemic, and with a commitment to 100% safety for actors and crew, the question I asked immediately was this: "Is remote filming possible, and, if so, what storytelling conventions can be used to replace the two shot, the over the shoulder shot, and any other shot vocabulary that requires actors be in the same room?" I drew on Broadway Cares musical grids, theatrical Greek chorus traditions, and creating mirror sets. The next question was how to make this vocabulary work to communicate the meaning of the script. Using body shots, close up motion, and monologue stills helped to tell the outlier stories in Assigned Female at Birth...which is about a community experience, and also the experience of having a very specific body. It's a new visual language necessitated by the pandemic, and creating new opportunities.