Ashima
ASHIMA is an intimate portrait of elite rock climber Ashima Shiraishi as she travels to South Africa to try to become the youngest person in the world to climb a V14 graded boulder problem. Accompanying Ashima is Poppo, an eccentric, hermit-like, retired avante garde dancer, who also happens to be her father. Emotional and rooted in character, ASHIMA is a love letter not only to climbing, but to immigrant parents and the realization of the American Dream.
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Kenji TsukamotoDirector
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Minji ChangProducer
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Roy ChoiProducer
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Dave BoyleProducerHouse of Ninjas, I Will Make You Mine, Man from Reno, Surrogate Valentine
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Bryn MooserExecutive ProducerWe Dare to Dream, They Call Me Magic, I Didn't See You There
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Laura Choi RaycroftExecutive ProducerDaughters
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Jean TsienExecutive ProducerIsland in Between, AKA Mr. Chow, Free Chol Soo Lee
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David MagdaelExecutive Producer
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TOKiMONSTAComposerAwkwafina is Nora From Queens
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Travis StewartComposerDark Woods
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Stephen UrataSound Designer & Re-Recording MixerGaucho Gaucho, The Killer, Elemental, The Mandalorian, The Truffle Hunters, Knives Out, Mindhunter
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Samuel J. RongEditorFaceless
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Victoria ChalkEditorA Decent Home, A Woman's Work: The NFL's Cheerleader Problem, Call Her Ganda
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Project Type:Documentary, Feature
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Runtime:1 hour 26 minutes
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Completion Date:November 5, 2023
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Production Budget:750,000 USD
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Country of Origin:United States
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Country of Filming:France, South Africa, Spain, United Kingdom, United States
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Language:English, Japanese
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Shooting Format:RED RAW
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Aspect Ratio:2:1
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
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DOC NYCNew York City, NY
United States
November 12, 2023
World Premiere
Metropolis Competition -
Santa Barbara International Film FestivalSanta Barbara, CA
United States
February 13, 2024
West Coast Premiere
Reel Lives -
DisOrient Asian American Film Festival of OregonEugene, OR
United States
March 10, 2024
PNW Premiere -
Full FrameDurham, NC
United States
April 5, 2024 -
Wisconsin Film FestivalMadison, WI
United States
April 7, 2024 -
Visions du ReelNyon
Switzerland
April 18, 2024
International Premiere -
Milwaukee Film FestivalMilwaukee, WI
United States
April 20, 2024 -
San Diego Asian American Film Festival Spring ShowcaseSan Diego, CA
United States
April 25, 2024
Audience Award -
VC Film FestivalLos Angeles, CA
United States
May 5, 2024
Grand Jury Award for Best Documentary Feature -
CAAMFestSan Francisco, CA
United States
May 11, 2024 -
The Asian American ShowcaseChicago, IL
United States
May 19, 2024 -
MountainfilmTelluride, CO
United States
Women in Film Award -
Outside FestivalDenver
United States
June 2, 2024 -
Mendocino Film FestivalFort Bragg, CA
United States
June 2, 2024 -
Houston Asian American & Pacific Islander Film FestivalHouston, TX
United States
June 9, 2024 -
Austin Asian American Film FestivalAustin, TX
United States
June 29, 2024
Special Jury Mention for Documentary Ensemble Cast -
Asian American International Film FestivalNew York City
United States
August 2, 2024
Audience Award -
Ladek Mountain FestivalLadek Zdroj
Poland
September 5, 2024
Best Film About Mountain Sports -
Ulsan Ulju Mountain Film FestivalUlsan
Korea, Republic of
September 28, 2024
Asia Premiere
Special Jury Mention -
Eastern Sierra Mountain Film FestivalMammoth Lakes, CA
United States
October 2, 2024 -
Hawaii International Film FestivalHonolulu
United States
October 4, 2024 -
Boston Asian American Film FestivalBoston
United States
October 20, 2024 -
SF Film School of DocsSan Francisco
United States
October 17, 2024 -
Banff Mountain Film FestivalBanff
Canada
November 1, 2024
Canada Premiere
Born in Fukushima, Japan, Kenji moved to America as a child where his family relocated frequently across the country. Having been immersed in various cultures both in the United States and Japan during his formative years, Kenji offers a distinct point of view in his storytelling. As a third culture kid, Kenji found a kindred spirit in the world renown climber Ashima Shiraishi, who became the subject of his first feature film.
When I met Ashima back in 2012, I instantly wished I’d had someone like her to relate to, and aspire to be like as a kid. Immigrating from Japan at 8, I’d struggled with English and was bullied for being different living in Kentucky and Michigan throughout my adolescence in the ’90s. I also thought of thousands of Japanese children struggling with hikikomori, a social phenomenon where children severely withdraw and isolate themselves from the world, and also how my American peers dealt with their own challenges with their limited role models.
In recent years with the MeToo movement, Black Lives Matter movement, ongoing mass shootings, and the brutal anti-Asian violence during the pandemic, a society fraught with hatred, fragility, and prejudice for our many differences has been revealed. It has also called out a dire need for change.
ASHIMA explores the coming-of-age story about a painfully shy and introverted young girl with her intense and isolating elderly immigrant parents, struggling to find her own voice. It explores the complex reality of being a third-culture Gen Z kid, caught between two worlds and facing barriers of language, affection, wealth, and harsh expectations. The film examines the obsession of being successful in modern-day sports, being an Asian American female athlete in a white male-dominated sport, and how celebrity plus an incessant drive to win and please others can diminish mental health. It questions whether these achievements are worth it and what it can cost, especially for young people living under the microscope of social media.
In the media, a recent push for “diversity” has taken center stage. But it better serves us to continuously study how it translates to action and impact. We’ve reached a point where simply having a BIPOC face or making content that superficially includes a marginalized narrative does not cut it. We’ve reached a point where marketing quotas and optics cannot replace authenticity and substance. What transforms a viewer’s heart and thus their mind starts with something real, specific, and honest.
Storytelling can cultivate empathy and bridge cultures. It’s more important than ever to have authentic diverse representation on the screen, in addition to our physical world. Through film, we can show that Asian American stories or stories about women need not include narrow and dehumanizing stereotypes like films of old. We hope through showing nuanced depictions of those who are female-identifying, immigrants, Asians & Asian Americans, audiences will be able to witness our inherent humanity and connect with our shared universal struggles.
“When you really know somebody you can’t hate them. Or maybe it’s just that you can’t really know them until you stop hating them.”― Orson Scott Card