Ashima

ASHIMA is an intimate portrait of elite rock climber Ashima Shiraishi as she travels to South Africa to try to become the youngest person in the world to climb a V14 graded boulder problem. Accompanying Ashima is Poppo, an eccentric, hermit-like, retired avante garde dancer, who also happens to be her father. Emotional and rooted in character, ASHIMA is a love letter not only to climbing, but to immigrant parents and the realization of the American Dream.

  • Kenji Tsukamoto
    Director
  • Minji Chang
    Producer
  • Roy Choi
    Producer
  • Dave Boyle
    Producer
    House of Ninjas, I Will Make You Mine, Man from Reno, Surrogate Valentine
  • Bryn Mooser
    Executive Producer
    We Dare to Dream, They Call Me Magic, I Didn't See You There
  • Laura Choi Raycroft
    Executive Producer
    Daughters
  • Jean Tsien
    Executive Producer
    Island in Between, AKA Mr. Chow, Free Chol Soo Lee
  • David Magdael
    Executive Producer
  • TOKiMONSTA
    Composer
    Awkwafina is Nora From Queens
  • Travis Stewart
    Composer
    Dark Woods
  • Stephen Urata
    Sound Designer & Re-Recording Mixer
    Gaucho Gaucho, The Killer, Elemental, The Mandalorian, The Truffle Hunters, Knives Out, Mindhunter
  • Samuel J. Rong
    Editor
    Faceless
  • Victoria Chalk
    Editor
    A Decent Home, A Woman's Work: The NFL's Cheerleader Problem, Call Her Ganda
  • Project Type:
    Documentary, Feature
  • Runtime:
    1 hour 26 minutes
  • Completion Date:
    November 5, 2023
  • Production Budget:
    750,000 USD
  • Country of Origin:
    United States
  • Country of Filming:
    France, South Africa, Spain, United Kingdom, United States
  • Language:
    English, Japanese
  • Shooting Format:
    RED RAW
  • Aspect Ratio:
    2:1
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    No
  • DOC NYC
    New York City, NY
    United States
    November 12, 2023
    World Premiere
    Metropolis Competition
  • Santa Barbara International Film Festival
    Santa Barbara, CA
    United States
    February 13, 2024
    West Coast Premiere
    Reel Lives
  • DisOrient Asian American Film Festival of Oregon
    Eugene, OR
    United States
    March 10, 2024
    PNW Premiere
  • Full Frame
    Durham, NC
    United States
    April 5, 2024
  • Wisconsin Film Festival
    Madison, WI
    United States
    April 7, 2024
  • Visions du Reel
    Nyon
    Switzerland
    April 18, 2024
    International Premiere
  • Milwaukee Film Festival
    Milwaukee, WI
    United States
    April 20, 2024
  • San Diego Asian American Film Festival Spring Showcase
    San Diego, CA
    United States
    April 25, 2024
    Audience Award
  • VC Film Festival
    Los Angeles, CA
    United States
    May 5, 2024
    Grand Jury Award for Best Documentary Feature
  • CAAMFest
    San Francisco, CA
    United States
    May 11, 2024
  • The Asian American Showcase
    Chicago, IL
    United States
    May 19, 2024
  • Mountainfilm
    Telluride, CO
    United States
    Women in Film Award
  • Outside Festival
    Denver
    United States
    June 2, 2024
  • Mendocino Film Festival
    Fort Bragg, CA
    United States
    June 2, 2024
  • Houston Asian American & Pacific Islander Film Festival
    Houston, TX
    United States
    June 9, 2024
  • Austin Asian American Film Festival
    Austin, TX
    United States
    June 29, 2024
    Special Jury Mention for Documentary Ensemble Cast
  • Asian American International Film Festival
    New York City
    United States
    August 2, 2024
    Audience Award
  • Ladek Mountain Festival
    Ladek Zdroj
    Poland
    September 5, 2024
    Best Film About Mountain Sports
  • Ulsan Ulju Mountain Film Festival
    Ulsan
    Korea, Republic of
    September 28, 2024
    Asia Premiere
    Special Jury Mention
  • Eastern Sierra Mountain Film Festival
    Mammoth Lakes, CA
    United States
    October 2, 2024
  • Hawaii International Film Festival
    Honolulu
    United States
    October 4, 2024
  • Boston Asian American Film Festival
    Boston
    United States
    October 20, 2024
  • SF Film School of Docs
    San Francisco
    United States
    October 17, 2024
  • Banff Mountain Film Festival
    Banff
    Canada
    November 1, 2024
    Canada Premiere
Director Biography - Kenji Tsukamoto

Born in Fukushima, Japan, Kenji moved to America as a child where his family relocated frequently across the country. Having been immersed in various cultures both in the United States and Japan during his formative years, Kenji offers a distinct point of view in his storytelling. As a third culture kid, Kenji found a kindred spirit in the world renown climber Ashima Shiraishi, who became the subject of his first feature film.

Add Director Biography
Director Statement

When I met Ashima back in 2012, I instantly wished I’d had someone like her to relate to, and aspire to be like as a kid. Immigrating from Japan at 8, I’d struggled with English and was bullied for being different living in Kentucky and Michigan throughout my adolescence in the ’90s. I also thought of thousands of Japanese children struggling with hikikomori, a social phenomenon where children severely withdraw and isolate themselves from the world, and also how my American peers dealt with their own challenges with their limited role models.

In recent years with the MeToo movement, Black Lives Matter movement, ongoing mass shootings, and the brutal anti-Asian violence during the pandemic, a society fraught with hatred, fragility, and prejudice for our many differences has been revealed. It has also called out a dire need for change.

ASHIMA explores the coming-of-age story about a painfully shy and introverted young girl with her intense and isolating elderly immigrant parents, struggling to find her own voice. It explores the complex reality of being a third-culture Gen Z kid, caught between two worlds and facing barriers of language, affection, wealth, and harsh expectations. The film examines the obsession of being successful in modern-day sports, being an Asian American female athlete in a white male-dominated sport, and how celebrity plus an incessant drive to win and please others can diminish mental health. It questions whether these achievements are worth it and what it can cost, especially for young people living under the microscope of social media.

In the media, a recent push for “diversity” has taken center stage. But it better serves us to continuously study how it translates to action and impact. We’ve reached a point where simply having a BIPOC face or making content that superficially includes a marginalized narrative does not cut it. We’ve reached a point where marketing quotas and optics cannot replace authenticity and substance. What transforms a viewer’s heart and thus their mind starts with something real, specific, and honest.

Storytelling can cultivate empathy and bridge cultures. It’s more important than ever to have authentic diverse representation on the screen, in addition to our physical world. Through film, we can show that Asian American stories or stories about women need not include narrow and dehumanizing stereotypes like films of old. We hope through showing nuanced depictions of those who are female-identifying, immigrants, Asians & Asian Americans, audiences will be able to witness our inherent humanity and connect with our shared universal struggles.

“When you really know somebody you can’t hate them. Or maybe it’s just that you can’t really know them until you stop hating them.”― Orson Scott Card