Artificial Response

I am Jayson Antonio Hernández, Bachelor of Music from the University of Arts and Cs. Social ARCIS. I start my studies as a sound composer for performing arts with the teacher José Miguel Candela, of whom I am an assistant professor at the University of Chile, in the fields of music Dance career. I complement my training with seminars and workshops related to sound art, nurturing myself with various techniques in the area, as well as photography and poetry. I have composed music for audiovisual projects. Since 2016 I have been a member of various interdisciplinary groups, highlighting the Teatro Kapital Artistic Collective, directed by Iván Insunza, and the Herederas (Contemporary Dance) collective. As of 2012, I work with different theater and dance directors in Chile. I was part of the Hiedra Magazine team for 2 years. I work as an accompanying musician in modern dance classes at UNIACC University. I have been a facilitator of the Poéticas Sonoras laboratory, in Balmaceda Arte Joven, La Vitrina and USACH Cultural Corporation. I participated in the 2021 Music Mediation Program of MINCAP. Some of my last jobs were as composer and stage designer for Erosión, a dance work directed by María Elena Gallardo, selected for the 8th Choreographic Encounter at Sala Arrau, Municipal Theater of Santiago, from the film ''The Trees Tell Us'' by Carlos Sepulveda. , winner of the Sundance Institute Documentary Fund and Fundar un Pueblo, Fondart Nacional 2019. I am currently specializing as an artistic director through the Interdisciplinary Artistic Creation Diploma at the University of Chile (DETUCH), which I received a scholarship for my ad honorem work in the Faculty of Arts, and in residence ''Why do I move?'' at the Center for Creation and Residence NAVE (Ongoing), with the project and research ''Flaite''. In 2021 I was also awarded the Aporte Pais scholarship from the Mustakis Foundation, with which I studied a Diploma in Cultural Management from the Alberto Hurtado University, always Interested in the search for language and opening my process as a space for reflection and openness around the codes from the periphery to contribute to my territory from contemporary art, at the same time, share my project and learning through collaborations with artists and people with different approaches to art.