Apart, Together
A Chinese teenage girl travels with her mom to States as a translator, in order to find her abandoned sister under the One-child-policy. She’s faced with a decision when she secretly finds her sister——to tell her mom and risk their relationship or to forever keep it to herself.
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Olivia Hang ZhouDirector
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Olivia Hang ZhouWriter
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Blanca BallesteProducer
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Shavvon LinKey Cast"Yiru"
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Leann LeiKey Cast"Jia (Mom)"
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Micheal SanfordCasting DirectorThe Artist, Casting Department
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Lucia ZavarcikovaCinematographer
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Zhongbo RenProduction Designer
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Alexander ScarfeEditor
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Yifan LinComposer
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Project Type:Short
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Runtime:18 minutes 46 seconds
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Completion Date:September 22, 2020
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Production Budget:35,000 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:Chinese, English
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Shooting Format:Digital 2k
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Aspect Ratio:2.35:1
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Film Color:Color
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First-time Filmmaker:No
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Student Project:Yes - American Film Institute Conservatory
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Directors Guild of America Award
United States
Grand Student Prize for best Asian American -
BAFTA GSA 2021Los Angeles
United States
Best Live Action Short -
44th Asian American international Film FestivalNew York
United States
August 20, 2021
Best Live Action Short -
Vancouver International Film Festival 2021Vancouver
Canada
October 8, 2021
Canadian Premier
Official Selection -
Canne Young Director AwardLos Angeles
United States
December 1, 2021
Gold Screen Award
Olivia is a Directing Fellow at American Film Institute Conservatory. She received both education of film & TV production in China and Sweden. She had worked in fashion and contemporary art fields where she was exposed to different art forms and got a wide range of inspirations. Her passion for film had driven her to study under a famous Production Designer CAO Jiuping who worked as Art Director for KILL BILL. Her films are mainly exploring feminism and trauma from a poetic perspective. She was selected into director’s training camp at FIRST international film festival, her feature script The Reunion got into second round of 2021 Sundance Feature Development Track, and won the best project at 2020 Shanghai International Film Festival SIFF NEXT lab.
Growing up knowing I have a passed-away sister is hard. As it’s a hole that can never be filled for the whole family, as I know I wouldn’t be born if she’s still alive under the ONE-CHILD-POLCY in China. As she’s this weird intimate stranger figure for me, and no matter how much I tried to be a good daughter, I can never compete with the guilt that my parents had towards her. Although I feel sorry for her, deeply I know, if there’s only one person who has the right to live in the world, that would be me not her, and I guess that’s the choice that everybody will do.
This particular story intends to portray deep consciousness on the loss of innocence, and more importantly—true humanity. What I want to deliver is--selfishness is part of the complexity of humanity, sometimes it comes out of love.
Thus, this is not only a film about this girl, who tries to hide the fact of finding her sister out of the fear of losing her own mom, but about any of us who once might have felt lost and invisible, ashamed of ourselves and have felt hatred towards others when all we hoped was to be discovered. And I wish the audience to feel both mad and sorry for them, but more importantly, to care and understand where the pain comes from. And I do wish that, after watching this film, we can all untangle any emotional block to embrace this sad yet beautiful world.